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Journals   A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
Contemporary Cinema
1002-4646
2015 Issue 10
guo chan dian ying lun tan : ran shao de ying xiang yan tao hui
..............page:2
The Review of Film Market in Summer 2015
Zhao Mengran;Fan Yang;
..............page:4-10
Film Market in Summer 2015
..............page:4
Context of “Internet Plus”, Screen Subjectivity and Chinese Film New Power
Nie Wei;Du Liang;
..............page:10-14
The Thoughts of Chinese Animation’s Breakthrough in Summer 2015
Tao Ye;
..............page:14-18
New Ecology of Record-Breaking Summer Film Market
hong jun ; shi xiao xi ;
..............page:18-22
Observation of Film Market in Summer 2015: Chinese Film Market Promoted by Internet
mao yan dian ying xiang guan fu ze ren ; tian yi zhou ;
..............page:22-25
ci ke nie yin niang
zhu tian wen ; a cheng ; hou xiao xian ; xie hai meng ; li ping bin ; li xun ; chen mo ; wu guan ping ; suo ya bin ; feng si liang ; tian yan ru ;
..............page:26-37
yong bu shi qu de zong shi zhi qi ping ding yin zuo dao yan xin zuo qi gong
rao shu guang ; xian jia ;
..............page:38-40
shi guang liu zhuan fu sheng ruo meng ping dian ying san cheng ji
li xiang ;
..............page:40-43
you lang : yi xiao bo da de zhan zheng pian jiu wei xin yong de min jian xu shi mo shi
wang yi han ;
..............page:43-45
ben qi te gao
..............page:46
Renegotiation of Chinese Cinema: Rewrite Film History, Subjectivity, Ethnic Film, and Overseas Chinese Film Studies
lv xin yu ; lu xiao peng ; li dao xin ; shi chuan ; sun shao yi ; bai you ming ; tang wei min ; wang ru jie ; tang hong feng ; li li ; lu ; shi chang ;
..............page:46-54
Courtroom Drama Ⅱ
hu ke ;
..............page:55
Withdrawal of Truth: The Study into Chinese Courtroom Drama
Liu Jun;Gao Yichao;
..............page:55-61
Narrative and Audiovisual Analysis of Hong Kong Courtroom Drama
Wen Shijiang;
..............page:61-65
Shapes and Cultural Subjects of Japanese and Korean Courtroom Drama
Liu Qi;
..............page:66-70
The Features and Social Significance of Korean Courtroom Dramas: Case Studies of Silenced, Unbowed, and The Attorney
Kim Bo Kyong;
..............page:70-74
Good Editing Requires Editor’s Integrity
liao qing song ; han jia zheng ; zuo ying bo ; wang ying fei ;
..............page:75-80
System, Genre, and Aesthetics: Chinese National Cinema in the 1950s
Zhang Zongwei;Bao Lei;
..............page:81-87
On Realistic Films Produced by Beijing Film Studio from 1958 to 1960
Ding Ning;
..............page:88-93
Love, Revenge and Revolution: On Cultural Code and Canonized Narrative of The White-Haired Girl
Li Huanzheng;
..............page:94-100
zha lang
liu xiao bo ; wang yang ;
..............page:97
qu zuo shang ban zu
zhang ai jia ; zheng zhao qiang ;
..............page:98
jie jiu wu xian sheng
ding zuo ; ding yu ;
..............page:99
xin mi gong
xin zuo kun ; feng yuan liang ; he shan ;
..............page:100
The Cultural Representation of Chinese Film Tickets since 1949
Ding Lei;
..............page:101-103
Development and Cultural Representation of Hong Kong Urban Romance
Zhang Yan;
..............page:104-109
Immigrant Presentation and Identity Reconstruction in Hong Kong films after 1997
Sun Weichuan;Luo Renjing;
..............page:110-112
On “New Hong Kong Spirit” in Hong Kong Films
Kang Ning;
..............page:113-117
he Supportive Strategy of Taiwan’s Film Industry
Chen Xiaoyan;
..............page:117-120
The Study of Mexican Director Alejandro González I?árritu’s Films
Li Bin;
..............page:121-127
Guillermo del Toro: The Fascination of Film “Naughty Boy”
Qi Wei;
..............page:127-133
From Ethnic Fable to Global Issue: The Study into Alfonso Cuarón’s Films
Zhang Junjun;
..............page:133-137
On the Culture and Aesthetics of Emotional Film Performance in the 1990s
Li Zhenlin;
..............page:138-142
An Analysis of Early Chinese Film Narrative Time
Wan Chuanfa;
..............page:143-147
On Creative Marketing and City Industrial Promotion at China International Cartoon and Animation Festival
Wang Yan;
..............page:148-151
From Animated Music to Musical Animation
Fu Long;
..............page:152-155
Immersion and Dizziness: The Life and Feature of 3D Film
Cui Yunpeng;Wu Tao;
..............page:155-158
On the Narrative Development of Hollywood 3D Animation
Liu Dayu;
..............page:158-161
The Beauty of Chinese Animation: From Kuiba to Monkey King: Hero is Back
Zhao Bing;
..............page:161-163
The Study of Shanghai Urban Space in Chinese films from 1930 to 1937
Qian Chunlian;Qiu Baolin;
..............page:164-167
A Glimpse of the Ethical Narrative in New Urban Films
Pan Ru;
..............page:167-170
The Imaginative Reconstruction of Urban Space in Road Film: Case Studies of The Continent and Breakup Buddies
Feng Guo;Zhao Yanlei;
..............page:171-174
The “Mirror Image Reflection” Mode between Audience and Actor in Emotional Identification
Liu Tao;
..............page:174-177
On Multiple Reflections of Chinese New Generation’s Urban Films
Yang Haiyan;
..............page:177-179
On the External Expression and Internal Incentive of Positive Images in Chinese Urban Films since 2000
Zou Jian;
..............page:180-182
On Xia Yan’s Screenplay Revision Theory: Seeking for Realism at the Integration Period of Literature and Art
Wang Xia;Yu Ji;
..............page:183-186
The Difficulties at Chinese Rural Film Market
Li Guangrong;
..............page:186-189
The Analysis of New Development in Recent American Ethical Family Film
Mei Lin;
..............page:190-192
The Influence and Inspiration of “The Paramount Antitrust Case”
Cao Yiping;
..............page:193-196
The Viewing Modes of Japanese Television in the Digital Era: “Customized” and “Socialized”
Chen Hongmei;
..............page:196-198
The Power of Reality: The Symposium Review of Documentary Images on Fire
Liu Yu;
..............page:199
The Exploration of Book Layout Design: On Book Cover Design
Lu Fang;
..............page:200
bai tuan da zhan
dong zhe ; liu ying xue ; wang wei dong ; yu xue jun ; deng kang ming ;
..............page:201
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