Contemporary Cinema 2014 Issue 12 The Motivation and the Meaning of Chinese Film’s Diversified Pattern

Greek Cinema and the Balkans: Connections, Divergences and Escapes
Lydia Papadimitriou;Yao Shu;John Moores University;Journal of Greek Media and Cultrue;

..............page:87-94

Escape from the Balkans

..............page:87

Escape and Homecoming in Bulgarian Cinema
Alexander Yanakiev;Wang Xin;

..............page:94-97

dian ying pin dao chu pin dian ying

..............page:97-100

Political Changes,Economic Developments and National Film Industry of Central and Eastern Europe
Cao Shuaiying;Zhao Shaoyang;

..............page:97-103

Changing Consumption Patterns and Chinese Film Industry
Wang Xiangyu;

..............page:104-107

Desire Narrative of Ning Hao’s Comedy
Xie Jianfeng;Lin Jintao;

..............page:107-109

Films Based on TV Plays
Xu Disheng;

..............page:110-113

An industry Perspective on the Genres of Micro-Film
Zhao Bingxiang;

..............page:113-116

Aesthetic Characteristics and Aesthetic Value of Aerial Photography
Ying Guohu;

..............page:116-119

New Challenges and Pattern of China’s TV Series Production Industry
Song Lei;

..............page:120-125

On China Small Budget Films
Cao Yiping;

..............page:125-128

zhu xuan lv ying pian xu shi de lei xing hua yu xian dai xing
zhou zhou ;

..............page:129-131

A Panoramic View of A Mysterious Bullet
sun xiao hang ; zhang di sha ; wang hong liang ;

..............page:129

wang sheng dai zuo qi bei jing xia zhu xuan lv ti cai de tu wei qian guan jin ju li ji sha de lei xing hua zhuan xing
yu ran ;

..............page:131-133

xi wei zhi chu jian biao yan gong li
liu hong wei ;

..............page:133-135

zhan zheng ce ying xia de sheng si shu xie
zhang zhen yu ;

..............page:136-137

jing dian xu shi fa ze bian zhi de cheng chang yu li zhi
liu zuo ;

..............page:138-140

A Panoramic View of Diving Dream
wu zuo ; zuo gua ; lang xiao jing ; li ; bian xi cheng ;

..............page:138

cheng gong biao yi de ying xiang xu shi
guan yong ming ;

..............page:140-142

jiao se yuan jing zai dian ying biao yan zhong de zuo yong
du pei ;

..............page:142-144

zhu meng hou ao yun shi dai ji qing tiao shui meng ti yu yi shi jie du
miao zhuang ;

..............page:144-145

On Different Adaptation of The Orphan of Zhao
Yan Xiaorong;

..............page:146-149

The Analysis of Nosferatu: Phantom of the Night
Zhang Lei;

..............page:149-151

The Analysis of Midnight in Paris
Wei Xiaobo;

..............page:152-155

Image Conversion Strategies of Peach Blossom Land
He Mingyan;

..............page:155-158

On My Memories of Old Beijing and So Young
Li Youyun;

..............page:159-161

The Basic Problem of Cinematic Subject Construction
Zhao Zhengyang;

..............page:162-166

About Cultural Adaptability in Chinese Language Cinema in Mainland, Hongkong and Taiwan
Huang Han;

..............page:166-168

The Evolution of German Expressionist Films in A Fairy Tale World
Shen Jiayi;

..............page:169-172

The Angry Young Men in British New Wave Film
Ju Wei;

..............page:172-175

The Performativity of Documentary Films
Luo Wei;

..............page:175-178

The Realism Building in American Fantasy Films
Zhao Qi;

..............page:179-182

Fellini and Italian Poetic Realism
Wu Ming;

..............page:182-184

On the Spactator’s Cognitive Projection in Screen Image
Liu Tao;

..............page:185-187

On Rise of the Planet of the Apes
Yang Wei;

..............page:188-190

A Summary of Academic Forum of BNU New Media Imaging Research Centre
Xian Jia;Zhu Yixuan;Li Jinqiu;

..............page:191-192

A Summary of the Forum of Net Born Generation and Chinese Film Industry Development
Liu Jia;

..............page:192-194

dang dai dian ying za zhi guan yu 2014 nian huan fa xin wen ji zhe zheng ren yuan ming dan de gong shi

..............page:195

World Day for Audiovisual Heritage

..............page:195+2

The Promotion of First Culture Week of Science Popularization Movie in China

..............page:195

dang dai dian ying 2014 nian zong mu lu

..............page:196-200