Contemporary Cinema 2014 Issue 10 On the Marketing of MRSSV in 2014 Zhao Mengran

On the Marketing of MRSSV in 2014 Zhao Mengran
Zhao Mengran;Fan Yang;

..............page:4-10

The Movies of the Running Schedule of Summer Vacation in 2014

..............page:4

On the Young Directors of MRSSV in 2014
Tan Zheng;

..............page:10-16

On The Road of MRSSV
Liu Jia;

..............page:16-20

An Interview with Yu Chao
yu chao ; li zuo jun ;

..............page:20-22

The Analysis and Criticism of the Chinese Film Market
Zhou Xing;

..............page:23-27

The Responses and Discussion
Lu Xiaopeng;

..............page:27-29

On the Film Road of Sun Yu
Li Zhen;

..............page:30-35

Sun Yu’s Biography and Filmmography
li zhen ;

..............page:35-37

xiu chun dao
lu yang ; wang dong hui ; zhang wei ; suo ya bin ; mei xue feng ; yu ge zi ;

..............page:38-47

zai da yin mu shang jiao liu yu you xi guan dan mu ban dian ying qin shi ming yue zhi long teng wan li
zhang cheng yu ;

..............page:48-50

A Brief Summary on the Seminar of 5 Minutes To Tomorrow
hou zuo ;

..............page:50-52

The Image Construction of Righteous Countries
Jia Leilei;

..............page:53-58

The Study of Asian Film
Hao Yanbin;

..............page:59-62

The Narrative Study of Sight and Sound
Zhu Hong;

..............page:63-66

The Study of Aesthetics and Inter-text
Hou Jun;

..............page:66-71

About Sang Hu
Li Yizhong;

..............page:72-77

The Body in the Movies in 17 Years
An Yan;

..............page:77-82

The Film and Traditional Culture in 17 Years
Liu Dishan;

..............page:82-87

On February and Stage Sisters
Guo Haiyan;

..............page:87-91

The Relationship between Movie and Theatre in France
Gong Baorong;

..............page:92-95

Movie and Theatre

..............page:92

Patrice Chereau and His Art Subject and Style
Xu Feng;

..............page:96-101

From Content to Style in UB
Zhang Tao;

..............page:101-106

From Stage to Screen in USA
Wang Cong;

..............page:106-109

On the Construction of Cinema Line in China
Zhang Huijun;Lu Yang;Zhu Tao;

..............page:110-112

On Chinese Phenomenon Film
Zhou Anhua;

..............page:113-115

On the Creation of Cross-border Directors
Zhan Di;Liu Qi;

..............page:115-118

The Future of Chick Flick in China
Liang Yi;

..............page:119-121

The Creative Practice and Exploration of Non-profi t Micro-animation
Wang Yanxia;

..............page:122-125

The Characteristic of Micro-animation Music Creation
Zou Jiani;

..............page:125-128

The Function of Music in the Micro-animation
Mao Meina;

..............page:128-130

dao shi dian ping
zhou xing ; yang yuan ying ; zhao wei fang ;

..............page:131-132

ben qi yi ti
zhang tao ; lin hao ;

..............page:131

cong hua yu dian ying zai liang an san di de piao fang cha yi zai lun wen hua zhe kou yi liang an san di 2013 nian piao fang qian shi ming wei li
yang xin ru ;

..............page:132-134

xiang gang dian ying de wen hua cheng xian : cong gui shu jiao lv dao zhong xin jiao lv
tan zheng ;

..............page:134-136

cong liu bu jing cha gu shi xi lie kan xiang gang shen fen ren tong de bian qian
zhang zuo zuo ;

..............page:136-138

kua di xing qing gan lv xing yu xiang xiang xing jiu shu ping tai wan ying pian zhe er shi xiang ge li la zhuan shan
zhang tao ;

..............page:138-140

quan qiu ben tu hua ri ju shi qi tai wan dian ying chuan bo xing tai yan jiu
lin hao ;

..............page:140-142

xin shi ji zhong hua dian ying dong nan ya chuan bo : xin wen ti yu xin shi jiao
zhang jing wu ;

..............page:142-143

bei jing yu shang xi ya tu : dang dai dian ying de xiang xiang di li
zhang yong ;

..............page:143-145

sha shi bi ya he hua yu dian ying : ha mu lei de kua wen lei gai bian yu kua wen hua yan yi
le li zuo ;

..............page:145-148

shi lun lian hua mo shi ji qi fen lie yuan yin tan xi
liu li zuo ;

..............page:148-149

A Summary of the 20th Doctoral Forum
Li Yang;

..............page:150-152

zhi zhe yuan xing yu min jian li chang
shen wei qiong ;

..............page:153-155

mo fang yu chuang yi
ding miao miao ;

..............page:155-157

you jiao se er sheng tan xi ju biao yan feng ge zhong de chou he hu
lu chang he ;

..............page:157-158

chuan tong de fa ming yu lan yong
zhao jing jing ;

..............page:159-160

ku qing yan yi de xin tu po
guo rui ;

..............page:161-163

yi qu you yang mian chang de mu ai zhi ge
zheng han min ;

..............page:163-165

chao yi xiang wai de qi huan zhong yan yuan ru he chuang zao zhen shi de ren wu qing gan
zhou yu ;

..............page:165-167

xiang tu qing jie zai dian ying zhong de wen hua cheng xian
zhang ying ;

..............page:167-168

The Basic Characteristic of Film about Rural Areas
Xue Jinwen;

..............page:169-173

On the Movies with Subjects of Shanxi Rural Areas
Miao Zhuang;

..............page:174-177

The Report of Film Marketing in Shanxi Rural Areas
Feng Wan;

..............page:177-180

On the Lack of Film Projection in Rural Areas
Li Yimin;

..............page:180-182

On the Film Audio Visual in Rural Areas
Du Jun;

..............page:182-184

On Kuiba and Kunta/Bonta
Feng Guo;Tian Ao;

..............page:185-188

The Infl uence of Traditional Dramatics over Animation
Xu Kun;

..............page:188-191

The Translation of Subtitle of The Monkey King 3D
Li Zheng;

..............page:191-194

Norman McLaren and His Music in Animation
Xiao Xiangning;

..............page:194-198

The Technology and People in American Animation
Zhang Lingling;

..............page:198-200