Contemporary Cinema 2014 Issue 1 chen huang mei dan chen 100 zhou nian ji nian hui zuo chen huang mei wen ji shou fa shi

chen huang mei dan chen 100 zhou nian ji nian hui zuo chen huang mei wen ji shou fa shi

..............page:2

A Summary on the Seminar of China Film Enterprise and Producer
Zhang Xin;

..............page:4-8

The Situation and Change of China Film Producer System

..............page:4

A Dialogue among Huang Jianxin, Zhou Liming, An Xiaofen and Xie Xiaodong
huang jian xin ; zhou li ming ; an xiao fen ; xie xiao dong ; xie hua ;

..............page:8-20

On the Change of Ideas and System Reform of China Film Producing Management
Chen Xuguang;

..............page:21-27

The Review of Wu Zhaodi’s Movies
Shi Chuan;

..............page:28-32

Wu Zhaodi’s Biography and Filmmography
shi chuan ;

..............page:32-33

wu ren qu
hu ke ; zhang wei ; hao jian ; li xun ; ye zi ;

..............page:34-45+98

The Performing Aesthetic of 17 Years Movies
Li Zhenlin;

..............page:46-50

The Imagination of Shanghai City and Modern Research in 17 Years Movies
Wan Chuanfa;

..............page:51-55

The Analysis of Shanghai Filmmakers in 17 Years Movies
Liu Yuqing;

..............page:55-60

The Creation Mode and Genre Elements in 17 Years Movies
Peng Jingyi;

..............page:61-65

On the Ecological Problem of the Old Movies during the Period of 17 Years
Hou Kai;

..............page:66-70

The Series of the Oral History of Chinese Filmmakers The Interview with Tong Naiwen
li zuo ; chen jie ;

..............page:71-76

The Interview with Yu Yuxi
bian jing ; gao meng ; sun bo ;

..............page:77-82

On Song Xiaofei’s Photographing Style
Liang Ming;Gong Zheng;

..............page:83-87

On Sun Ming’s Photographing Style
Wang Jing;

..............page:88-91

On Pan Hengsheng’s Movies
Wang Zhen;Fu Xiaohong;

..............page:92-96

jing cha gu shi 2013
ding sheng ; ding yu ;

..............page:97

deng feng lai
bao jing jing ; cao dun ;

..............page:97

On Bao Xuanming’s Fluid Long Take
Wang Zi;Li Li;

..............page:97-102

FIREST ORM
yuan jin zuo ; chen zhi ying ;

..............page:100

The Realism of China Film Narrative in New Period
Liu Qi;

..............page:103-107

The Narrative of Time in City Film and Its Symbol
Yao Rui;

..............page:107-111

The Relationship between the Portrait Photography and Film Aesthetic
Luo Lin;

..............page:111-115

The Relationship between the Hollywood Female Movie Star and American Social Culture in 1950s
Fan Linlin;

..............page:115-119

ba mai zhe jiang dong hua dian ying gong mou zhe jiang dong hua dian ying fa zhan zhan lue ju jiao zhe jiang dong hua dian ying quan guo zhuan ti yan tao hui zong shu
Wang Dong;Zhang Ruiyi;

..............page:120-122

Studying American Young Directors(Part III) On the Different Culture of American Film
Li Yiming;

..............page:123-126

John Singleton: A Young African-American Director’s Hollywood Experience
Li Chun;

..............page:127-131

Under the Patriarchy, Beyond A Libertine: A Doug Liman Study
Feng Ning;

..............page:132-136

Bryan Singer: Hollywood Generalist
Liu Miaomiao;

..............page:136-139

D.J.Caruso: Flowing Identity
Wei Ping;

..............page:139-143

Cinema as Brain: New Cinema Thought of Spike Jonze
Wang Yao;

..............page:143-147

ben qi yi ti
zhao li nuo ;

..............page:148

dao shi dian ping
wang yi chuan ; chen xu guang ; li dao xin ;

..............page:148-149

jia bin dian ping
chen yu ;

..............page:149

zhen dui han zhong liang guo da pian fa zhan te zheng yu jiao liu de yan jiu : yi 2000 2012 nian de ying pian wei zhong xin
jin zhen en ;

..............page:150-152

zhong wai gong lu dian ying yan jiu zhi bi jiao kao cha
li bin ;

..............page:152-154

wu xia qi huan di er shi jie yan jiu
liu sheng mei ;

..............page:154-156

ke fu zhi / bu ke fu zhi : xin shi ji zhong tai qing chun ai qing dian ying yi tan yi tai guo gth qing chun pian wei li
xian jia ;

..............page:156-159

dong hua dian ying ru he chuan tou wen hua feng kuang yuan shi ren de xu shi tou ming xing fen xi
xu xia ying ;

..............page:159-161

yi ke xi ju zhong , san duo di ceng ying xiang hua tan huang zuo lin lei nuo a hei ze ming dui gao er ji xi ju di ceng de gai bian
yang cong lei ;

..............page:161-163

ai hen jiao jia :1927 1943 nian zhong guo mei ti dui huang liu shuang de bao dao he ping jia
zhang zuo zuo ;

..............page:163-165

A Summary of the 1st International Doctoral Forum of Beijing University
Zhao Linuo;

..............page:166-168

On the Importance of the Clothes Color in A Movie
Xu Xun;Zhu Hanyu;

..............page:169-171

On the New Generation Film and Its Artistic Conception
Song Mei;

..............page:172-175

The Construction and Characteristic of Chinese Contemporary Film Artistic Conception
Zou Shaofang;

..............page:175-178

The Villain of the Piece in the Movie of Science Fiction
Xu Zhendong;

..............page:178-181

The Artistic Conception of Cartoon Film in Chinese Ink and Water Colors
Ye Linghong;

..............page:181-184

The Culture and Market Strategy of Chinese Film Star System
Zhang Xiaoling;Yao Danni;

..............page:185-188

The Film Production Chain in the Concession of Shanghai
Xing Zhipeng;Chen Xi;

..............page:188-191

The Film Star and Chinese Culture Space
Ma Jing Tao;Chunlin;

..............page:191-194

On the Film Star in The Grandmaster
Li Jinfeng;

..............page:194-197

On 3D Film Enterprise with 3C Technological Change
Chen Dong;

..............page:197-200

zhong guo dian ying chan ye yu zhong guo dian ying zhi pian ren yan tao hui

..............page:201