Contemporary Cinema 2013 Issue 11 A Dialogue between Wang Guowei and Peng Zhongtian

A Dialogue between Wang Guowei and Peng Zhongtian
wang guo wei ; peng zhong tian ; du si meng ;

..............page:4-7

The Review of the Capital Fund of China Film Enterprise

..............page:4

A Dialogue between Xiong Xiaoge and Yin Hong
xiong xiao ge ; yin hong ; wang wen jie ;

..............page:7-11

The Industrial Logic and Choose of the Method of China Film Stock Right Financing
Ni Wan;

..............page:11-15

A First Study of Project Investment of China Film Fund
Si Ruo;

..............page:16-20

The Research of Running System of China Film Capital Fund
Wang Wenjie;

..............page:20-23

The System of Slate Financing of Film Fund in Hollywood
Peng Kan;

..............page:24-28

Some Chapters of Art Life of Chen Liting
Xia Yu;

..............page:29-38

Chen Liting’s Biography and Filmmography
xia zuo ;

..............page:38

qi zuo huan ying fang xian chi cheng xiang xiang de xu ke
lie zuo ;

..............page:39-41

di ren jie yu zhong guo dian ying de mo huan da pian shi dai
chen xu guang ;

..............page:41-44

min zu yu yan de lei xing hua gai xie di ren jie zhi shen du long wang de xu shi fen xi
yao zuo ;

..............page:44-46

gong zhong fu za xin tai de ying xiang chan rao ying pian quan min mu ji zhong de san zhong yi yi
wang yi chuan ;

..............page:47-49

quan min mu ji : jing zhi xu shi chuan da si xiang neng liang
zhao wei fang ;

..............page:49-51

Review of Chinese Cinema of 17 Years
Liu Siyu;

..............page:52-57

The Creation and Presentation of Space in Movies
Shi Jing;

..............page:57-61

The Research of Labor Dispute in Shanghai Empress Theatre
Hai Ou;

..............page:62-65

Soviet Mode and the Construction of Film Trade in 17 Years
Feng Jie;

..............page:65-70

The Transform of Cinema with Private Stock from 1952 to 1956
Li Zhen;

..............page:70-75

Genre, Style and Culture Image of Kung Fu Comedy
Su Tao;

..............page:76-81

A Brief of Chinese Action Comedy since New Century
Zhao Jingjing;

..............page:81-84

On the Europe Action Comedy
Liu Qi;

..............page:85-89

On the American Action Comedy
Cheng Gong;

..............page:90-95

The Women Image of Hong Kong Action Comedy
Lin Liping;

..............page:95-99

On the Recreation of Performance
Xi Meijuan;

..............page:100-102

On the Arrival and Developing Road of Wei Movie Period
Hou Guangming;

..............page:102-105

A Summary on the Forum on the Cooperation of Animation between China and Foreign Countries
Yu Xiao;

..............page:106-108

The Analysis of Communication Channel of Two Chinese Movies with High Box Office
Zhou Xing;Li Zengquan;Li Xinjie;Qin Qishu;

..............page:108-113

A Summary on the Forum on China Film Policy
Huang Wangli;Wang Wei;

..............page:113-116

On A Simple Life
Yuan Qingfeng;Yan Ling;

..............page:117-121

On The Grandmaster
Yang Yang;

..............page:121-124

On Cold War
Chu Ru;

..............page:124-127

The Narrative Style of TV Series of Secret History of Qing Dynasty
Qin Junxiang;Wang Yuhan;

..............page:128-131

The Possiblity of Story and Discourse
Lu Rong;

..............page:131-136

The Style Changing of Violent Visible Image in China Kung Fu Series
Huang Qiaoli;

..............page:136-140

The Style and the Tragedy Sense of Detective Dee
Lu Xia;

..............page:140-143

An Introduction for Studying American Young Directors
li xun ;

..............page:144-145

The Development of Sundance Film Festival and American Independent Film
Peng Kan;

..............page:145-150

Paul Thomas Anderson: Ironic Narrative, Contrast of Rhetoric and Witness Image
Zhang Yong;

..............page:150-154

Wes Anderson :Design A World for Return
Wang Xin;

..............page:154-158

Darren Aronofsky:Surcharge Bondy, Deep Suffering and Torture Soul
Shan Yu;

..............page:159-163

Wachowskis: Across Borders of Other Worlds
Wang Yao;

..............page:163-168

The International Function of China National Musical Element in Film World
Ye Wenhui;Zhou Huasheng;

..............page:169-172

The Analysis of Wang Liguang’s Film Music
He Xiaoquan;

..............page:172-175

The Experience and Presentation of Singing the Film Music
Qin Yang;

..............page:175-179

The Characteristic of Music in Chinese Animation
Dong Fang;

..............page:179-181

The Function of Film Music in the Movies
Pan Guanze;Qin Yang;

..............page:182-184

The Composition of Animation with Classic Sense
Lan Yueyun;Tu Yue;

..............page:185-187

The Analysis of Animation Creation Concept
Wang Dong;Zhang Ruiyi;

..............page:188-191

The Meng Element in Meng Series Animation
Tang Beibei;Zhou Yi;

..............page:191-194

The Script and Education of Animation with Realistic Meaning Subject
Zhong Su;Huang Yuanfu;

..............page:195-197

On The Prince of Egypt
Zhao Hongyu;Xia Yingchong;

..............page:198-200