Contemporary Cinema 2007 Issue 6 Talking about the Israel Movies

Talking about the Israel Movies
Wang Qun

..............page:120-124

The Topic
Li Xiaoli

..............page:125

The Professor's Comments
Song Jialing;Hu Ke

..............page:125-126

The Chinese Mainstream Films in the Global Language Situation
Yang Liu;Huang Wangli;Liu Fan;Gong Yan;Wan Chuanfa;Duan Yundong;Wang Naihua

..............page:126-139

A Summary of the 6th Doctoral Forum
Li Xiaoli

..............page:140-142

Assimilation and Complies: Movie Narrative and Esthetically Accepts Mentality of Audienc
Wang Ping

..............page:143-145

Vernacular Modernism and Modern Chinese Films
Xie Jianfeng

..............page:145-147

The Criticism and Countermeasures of "Self-Orientalism" in Chinese Films in Global Age
Yu Jiali

..............page:148-150

The Retrospect and Prospect of the Film Festival of New York
Nie Wei

..............page:117-120

Yang Dechang's Biography and Filmography
He Jia

..............page:116

The Narration of Yang Dechang's Movies
Fu Xiaohong

..............page:113-116

Talking about the Scenarios of Yang Dechang's Movies
He Jia

..............page:109-112

The Taipei City in the Movies of Yang Dechang
Yang Ning

..............page:106-109

Yang Dechang and Taiwan Films
Liu Shuo

..............page:102-105

The Body Language in Performance
Yang Yang

..............page:98-101

On the Creation of Dubbing
Li Lihong

..............page:95-98

The Folklore Construction of the Chinese Film
Shi Bogong

..............page:55-59

Narration by Women in Chinese Films since 1990s
Meng Jun

..............page:51-55

The Streets, Romar, the Space of the City and the Cultural Imagination
Chen Xiaoyun

..............page:46-50

Zhu Feng and His Tele Films
Lei Chengyun;Chen Gang

..............page:72-75

A Summary of the Seminar for the Dream Is Alive
Tan Qiuwen

..............page:4-7

A Summary of the Seminar for My Left Hand
Sha Dan

..............page:7-11

A Summary of the Seminar for Old Fish
Lin Jinxi

..............page:11-15

A Summary of the Seminar for Warrior
Gao Shan

..............page:15-19

To Mourn for Michelangelo Antonioni
Claudia Morgoglione;Ai Min

..............page:20-22

Phenomenology Reducation of Color-world: A Close Reading on Antonioni's Red Desert
Zhang Hongjun

..............page:22-32

Unpeaceful Horizon
Michelangelo Antonionitrans;Ai Min

..............page:33-35

The Interpretation, or the Difficulty of Being Marco Polo: On the Occasion of Antonioni's China Film
Umberto Eco;Shan Wanli

..............page:35-38

Touching the Hands of the Master: My Days with Antonioni
Liu Haiping

..............page:38-41

Michelangelo Antonioni's Career as a Film Critic
Li Yang

..............page:41-44

Michelangelo Antonioni's Filmography
Zhang Hongjun

..............page:45

The Results of Image and Digital Vision of Chinese Contemporary Films
Wang Xiangyu

..............page:150-152

A View on Chinese Blockbusters
Lin Guoshu

..............page:152-154

The Image of Chinese Cities in the Contemporary Chinese Metropolis Movies
Xu Disheng

..............page:154-156

A Melanchloy Sing of Women and the Myth of time: A reading of the Road
Wang Xianping

..............page:156-158

On the Series of Chinese Generals by An Lan
Gao Shan

..............page:66-70

On the General Zeng Kelin
Zhou Jinhan

..............page:70-71

The Teaching of Vocal Music in the Major of Performance
Liang Jing

..............page:93-95

The Construction of Game Concept in Performance
Zhang Hong

..............page:89-93

The Creation of Performance in Comedies of the 17 Years of Chinese Films
Sun Deyuan

..............page:85-89

On the Change of Performance Concept in Chinese Early Films
Chen Liang

..............page:78-85

Qing Chun Yu Gong: A Paradox of Youth and Tradition
Lei Chengyun

..............page:76-77

Plump Auntie Goes to Town: A Comedy of Fused Vision
Xiang Ye

..............page:64-65

Fang Junliang and His Tele Films
Xu Hailong

..............page:60-63