Contemporary Cinema 2007 Issue 2 The Genre-Transformation of the Independent Films in USA

The Genre-Transformation of the Independent Films in USA
Li Xun

..............page:125-129

The Analysis on the Box Office of the Korean Films at Home
Song Shifeng

..............page:129-133

The Box Office of the Chinese Films in Korean Market
Zhao Muyuan

..............page:133-139

The 25th Vancouver International Film Festival
Wang Rui

..............page:140-142

the Film Aesthetics in New-Media Age
Wang Naihua;Hao Yanbin;Zhao Bin;Pan Yuan;Tang Jialin;Wang Liujun;Li Xiaoli;Li Yang;Zhao Tong;Xu Hang;Tian Baofeng

..............page:143-158

A Summary of the 4th Doctoral Forum
Duan Yundong

..............page:159-160

The Premiere of the Chinese Contemporary Film History
Tang Jianjun

..............page:123-124

Analysis on the TV Hotspot in 2006
Hu Zhifeng;Li Kun;Chen Peng;Li Qun;Sheng Jie

..............page:117-123

A Summary of Television Studies in 2006
hu zhi feng ; zhou jian xin ; wang tian ; xu xing ; hu hui ling ; wang zhi qiang

..............page:114-116

The Theatrical Reality Show: the Apprentice
Xia Shanshan

..............page:110-113

A View on 24
Pi Wanlin

..............page:107-110

Talking about Narration: Prison Break
Shu Chaoyi

..............page:103-106

Talking about the Mixed Type of the Images: Desperate Housewives
Cao Jing

..............page:100-103

The Third Time and Space: Lost
Li tiecheng

..............page:97-100

Chinese Tele Film: the Future and the Way
Chen Mo

..............page:59-64

The Developing Strategy and Narration Tactics in Chinese Tele Film
Rao shuguang

..............page:56-59

To Kei-fung's Biography and Filmmography
Xu Le

..............page:55

From Election to Harmony is a Virtue
Zhao Weifang

..............page:52-54

The Director To Kei-fung and Hong Kong
Xu Le

..............page:45-52

The Black Images by To Kei-fung
Li Xiang

..............page:38-45

The Image of the Time
To Kei-fung;Wu Jing

..............page:34-37

The Exam
pu jian ; ni zhen ; zhou yue liang ; zhuang yu xin ; guan wei

..............page:28-33

Still Life
jia zhang ke ; rao shu guang ; zhou yong ; chen xiao yun ; zhang li ning

..............page:19-27

The Figure Analysis: Court House on the Horseback
Gong Pu

..............page:17-18

Looking into the Rare Spectacle and the Privacy
Chen Lei

..............page:93-97

The Commercial Genre Construction of the Chinese Films in 1940s
Ye Yu

..............page:87-92

The Image Changes of Mao Zedong in the Movies
Wang ShaoYing

..............page:84-87

On Documentary Art Films
Qi Zhi;Wu Di

..............page:78-84

A Summary of the Conference of Chinese Tele Film Study
Lin Lining

..............page:72-77

The Figure, the Plot and the Time of Chinese Tele Film
Wang Haizhou

..............page:69-72

A Summary of Chinese Tele Films in 2006
Zhao Xiaoqing

..............page:64-69

The Image and Expression
Liang Ming;Zhang Jiang

..............page:4-5

The Youth Directors and the Productive Forces of the Film
Zhao Ningyu

..............page:6-8

The Lack of the Commercial Elements from Means to Ideas
Suo Yabin

..............page:8-10

Dialect is the Source of the Film Creation
Shi Bogong;Zhu Min

..............page:10-13

The Youth Directors of 2006 during the Transforming Period of Chinese Film
Hou Jun

..............page:13-16

The Hurt is the Shortcut to Love
Gan Lu

..............page:17