Contemporary Cinema 2007 Issue 1 About the Adaptation on The Red Classics

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Contemporary Cinema
1002-4646
2007 Issue 1

About the Adaptation on The Red Classics
Jing Xiuming

..............page:145-149

Unscramble in Three Ways: the Constant Gardener
Liu Jing

..............page:150-153

The Terror Caused by Racialism and the Truth: Hidden
Wang Hong

..............page:153-155

A View on Typhoon
Shen Aie

..............page:155-158

The Art Transform from A Novel to A Movie
Huang Baofu

..............page:141-145

The Adaptation on Modern Chinese Films
Ye Zhiliang

..............page:135-141

The Chinese Films in Japan Nowadays
Zhao Muyuan

..............page:129-134

The Original Image of Christ in the Hollywood Movies
Liu Zhi

..............page:126-129

The Three Faces of the Modem Vietnamese Films
Zhang Xuqing

..............page:122-126

The Film Should Work for Constructing the Harmonious Country and Culture
Zhao Shi

..............page:4-6

The Film Should Have the Faith
Zhang Hongsen

..............page:6-10

The Film Creation and the Forward Looking Mind-Set
Ni Zhen

..............page:10-12

Thoughts on the Chinese Films and Constructing the Harmonious Country
Rao shuguang

..............page:12-15

The Myth after Lie: The Black Dahlia
Zhang Lining

..............page:158-160

The Analysis of The Red Classic from me Viewpoint of Psychology
Song Suli

..............page:80-85

Thinking of Adaptation of The Red Classics
Zhang Zongwei

..............page:74-79

Studies and Thoughts on Adaptation of The Red Classics
Liu Shuo

..............page:69-74

Chinese Film An Illustrated History First Issued by Communication University of China

..............page:68

A Study on the Chinese Films 2006
Chen Xiaoyun;Wu Xiaoying

..............page:62-68

A Letter Replying to The Norm in the Academic Research and the Professional Morality-Plagiarism in Film Studies

..............page:61

A Letter after Reading The Norm in the Academic Research and the Professional Morality
Jiang Shen

..............page:59-61

Xu Ke's Biography and Filmmography
Zhao Weifang

..............page:58

The Lonesome Innovation, Time and Tide
Suo Yabin

..............page:55-57

The Hong Kong-Consciousness and Chinese Images in Xu Ke's Films
Zhang Yan

..............page:51-54

The Moving Space in Xu Ke's Films
Zhao Weifang

..............page:45-50

The Importance is to Share My Experience with the Audience
Xu Ke;Jia Leilei

..............page:38-44

A BATTLE of WITS
Zhang Zhiliang;Huang Jianxin;Jia Leilei;Zhang Yiwu;Sun Jingsong

..............page:31-37

The Knot
Yin Li;Zheng Dongtian;Hu Ke;Chen Mo;Gao Shan

..............page:21-30

A Summary on the Conference the Films and Constructing the Harmonious Country and Culture
Tang Rong

..............page:18-20

The Harmonious Country and Unification
Huang Jun

..............page:17-18

How to Present the Sense of Worth in A Film
Yin Li

..............page:15-17

Study on The Lord of The Rings
Lisa Wong;Adam Lam

..............page:116-122

Meltissage: A Movement of Images between the Cultures-the Third Generation of the Turkish
Georg seesslen;Cui Jun

..............page:113-115

Gothic Story: the Literary Source of the Horror Films
Xu Zhenglin;Yin Wei

..............page:106-112

A Panoramic View of The Three-Character Scripture of The Tele Film
Liu Cheng;Yu Qian;Zhai Junjie;Wang Wenzhang;Han Sanping;Jiang Ping;Zhao Baohua;Liang Xiaosheng;Guan Jinpeng;Zhang Ziyang;Yan Jiangang;Lang Yun;Li Wenqi;Jin Chen;Qiao Liang;Xue Hua

..............page:91-105

What I Think to Adapt The Red Classics
He Qun;Shen Xinghao;Wang Jixing;Li Wenqi;Liang Ming;Liu Fang;Gao Zhidan

..............page:86-90