Contemporary Cinema 2006 Issue 3 Night and Fog: Terror and Memory

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Contemporary Cinema
1002-4646
2006 Issue 3

Night and Fog: Terror and Memory
Hou Weiya

..............page:145-148

The Mystery of Picasso: A Masterpiece of Film d' Art
Li Ding

..............page:148-151

L'esquive: Nationalism, Popular Modes and the Cultural 'Other'
Sha Dan

..............page:152-154

The Child: Thinking Means Cut off Inertia of Life
Liu Jing

..............page:154-158

The Extraordinary Marathon
Yang Tiandong

..............page:158-160

The Sorrow and the Pity: France and Her Political Myths
James Roy MacBean;Li Xiaoiun

..............page:142-145

A Marvellous Spectacle of French Documentary
Shan Wanli

..............page:136-141

Characteristics of Xia Yan's Screenwriting
Wang Guoying

..............page:132-135

Xia Yan's Film Creation from the Perspective of Communication Theory
Liu Cheng

..............page:129-132

An Outstanding Pioneer——Reading The Complete Works of Xia Yan
Chen Jian

..............page:125-128

The Folk Spirits and Characteristics of Costume Comedy on TV
Nie Ying

..............page:121-124

Joy and Grief: Costume Comedy and Costume Drama on TV
Jiang Zhulang

..............page:117-121

Parody and Irony in Costume Comedy on TV
Wang Xin

..............page:112-117

Summary of the Serial Lectures on Cinema Held in CUC
Shi Bogong

..............page:110-111

Spectacles and Narrative in Film
song jia ling ; li xiao li

..............page:106-109

Chinese Swordplay Film: Some Main Points
Chen Mo

..............page:102-106

Political Economy of Open-air Cinema
Li Daoxin

..............page:97-101

High Concept in Commercial Cinema
Yin Hong;Wang Xiaofeng

..............page:92-96

Re-Exhibition of Chinese Films made before 1966 as a Social Event in the Late 1970s
Lu Xiaoming

..............page:89-91

Peking Opera: A Symbol of the National Identity of the Chinese Film
Cui Junyan

..............page:85-89

On the Development of Young Directors' Filmmaking in China
Chen Mo

..............page:81-84

Genre Study and Cold War Cinema: Comments on Spy Detection Films of the Seventeen Year Period
Esther Yau;Zhu Xiaoxi

..............page:74-80

On The Forest Ranger
qi jian ; hu ke ; zhang yi wu ; liang ming ; liu hua

..............page:64-73

On Father
zhang ming ; ni zhen ; jia lei lei ; wang yi chuan ; ma cong min

..............page:55-63

Wu Yigong's Biography and Filmography
shi chuan

..............page:53-54

Confucius' Family: Poetic Expression of Nation/Family, Benevolence and Humanity
Yuan Li;Ye Yu

..............page:49-52

Reading Evening Rain from Three Perspectives
Nie Wei

..............page:45-49

The Spirit of Wu Yigong's Cinematic Art
Qian Chunlian

..............page:40-44

Re-read Wu Yigong: Historical Opportunity and Realistic Dilemma of a Poetic Cinema
Shi Chuan

..............page:34-40

Good Leader Wu Yigong
Jiang Ping

..............page:32-34

Chinese Film Can Not Separate Itself from the Traditional Culture-Interview with Wu
Wu Yigong;Lu Xiaoming;Shen Jie

..............page:28-31

A Symposium on Minority Nationality Films

..............page:4-18

The Director on Her The Turpan Love Story
Jin Lini

..............page:18

The Director on His Beautiful Homeland
Gao Feng

..............page:19-20

Wu Yigong in the Eye of the Critics

..............page:21-28

Wu Yigong on Wu Yigong
Wu Yigong

..............page:28