Contemporary Cinema 2005 Issue 6 On Ying Yunwei's Aesthetic Ideas of the Traditional Opera films

On Ying Yunwei's Aesthetic Ideas of the Traditional Opera films
Zhu Qianmin

..............page:135-139

On Zhang Xinyan's Film Ideas and Practice
Yu Rong

..............page:139-142

Filmmakers from Ning Bo and Their Contribution to Chinese Film
Guo Xueqin

..............page:129-135

An Introduction
Guo Xueqin

..............page:129

Transformation and Deconstruction of Classical Chinese Aesthetics: Dragon Gate Inn, New Dragon Gate Inn and Seven Swords
Zhou Qingping

..............page:127-128

Chinese Swordplay Movies into the New Century
Cui Jun

..............page:126-127

My Views on the Current Chinese Films
Liu Shuo

..............page:124-125

History of Nongovemment-engaged Film Industry: from Shanghai to Hong Kong
Liu Hui

..............page:123-124

Mainland and Hong Kong: Problems in the interaction of Film Industry
Zhao Weifang

..............page:121-122

Thoughts on 100 Years of Chinese Film

..............page:4-8

Ren Qingtai: the Founder of Chinese Cinema
Wang Dazheng

..............page:9-14

Correction and Explain to the Three Questions about the Birth of Chinese Film
Wang Dazheng

..............page:15-23

Newspapers and the Historical Narrative of Early Chinese Films
Li Daoxin

..............page:24-32

Politics of Narration: Left-wing Movies and Hollywood's Imagination of Shanghai
Sun Shaoyi

..............page:32-40

A Study of Ivy Ling Po's Huangmei Opera Movies in the 1960s Tan See Kam
Tan See Kam;Liu Hui

..............page:41-48

Historical Memory and National Images of the Century-A Preface to The Developing History of Contemporary Chinese Cinema
Zhang Baiqing;Jia Leilei

..............page:48-53

Wu Yinxian's Artistic Career and His Cinematography
Li Shaobai

..............page:54-58

Horizon of Expectation and the Artistic Charm of Lin Shan's Films
Guo Xueqin

..............page:142-144

An Introduction
Li Yizhong

..............page:145

On the System of Film Evaluation in China
Li Yizhong

..............page:145-149

Change of the Ideas of Putting on a TV play in Contemporary China
Shao Qi

..............page:149-152

The Entropy of Film and TV Communication
Peng Ling

..............page:152-155

Children's Fantasy--On the reception of Animated Films
Liao Haibo

..............page:156-158

Change of Asian Genre Films
Zhao Bin

..............page:120-121

Chinese Cinema: Generic Construction and Industrial Development
Chen Xiaoyun

..............page:118-119

An Introduction
Zheng Dongtian

..............page:118

The Developing Way of the Animated Comics Industry in Shenzhen
He Jianping;Li Leilei

..............page:113-117

An Important Change in Contemporary Film Art and Culture
Chen Xuguang

..............page:107-113

Life and Death of Asian Television(ATV) in Hong Kong
Si Ruo;Cheuk Pak Tong

..............page:102-107

The Problems of the Current Filmmaking in China
Song Jialing

..............page:97-102

Film Narration on TV
Yan Xiaoming

..............page:93-97

Rereading Early Spring
Tan Qiuwen

..............page:90-92

Sentinels under Neon Lights: Urban Sensibility Covered by Ideology of War
Nie Wei

..............page:86-90

The Red Detachment of Women: Film and Memory-Work
Robert Chi;Lu Xiaoning

..............page:83-86

Flowers of Our Motherland: the Construction and Influence of Narrative Discourses on the Campus
Zhang Zhenqin

..............page:78-82

Long Live the Missis and Long Live Comedy Film
Rao Shuguang

..............page:74-78

Hollywood in China: 1897-1950
Xiao Zhiwei;Yin Hong;He Mei

..............page:65-73

A Historical Record of Urban Film Exhibition - Management of Film Theatres in NingBo Between 1910s- 1930s
Xu Wenming

..............page:61-65

Li Minwei My Father
Li Xi

..............page:58-60