1672-9838
2015 Issue 3
yu zhi ding yu qin wang wei lie tu fa xian ji
liu yuan zhu ;
liu yuan zhu ;
..............page:2-4
Within the Meaning of Buddhist Art
Naranbilig;Guizhou Institute For Advanced Study In Anthropology & Ethnology;Shanghai Research Base of The United Front Theory of China United Front Theory Research Association;
Naranbilig;Guizhou Institute For Advanced Study In Anthropology & Ethnology;Shanghai Research Base of The United Front Theory of China United Front Theory Research Association;
..............page:5-9
..............page:9
The Anthropology of Aesthetics as an Intercultural and Interdisciplinary Quest
Wilfried van Damme;Li Xiu-jian;Leiden Univercity;Chinese National Academy of Arts Beijing;
Wilfried van Damme;Li Xiu-jian;Leiden Univercity;Chinese National Academy of Arts Beijing;
..............page:10-15
..............page:15
"New Aesthetics" and "New Aesthetics in China"
HUANG Ying-quan;Capital Normal University;
HUANG Ying-quan;Capital Normal University;
..............page:16-21
The Analysis of Chinese Art Anthropology Discipline’s Background and Development
AN Li-zhe;Research Center of Art Anthropology;Chinese National Academy of Arts;
AN Li-zhe;Research Center of Art Anthropology;Chinese National Academy of Arts;
..............page:22-27
Drama Performances And Villages Order:Chentang Sherpa’s “Mani” Performance And Its Significance
Sang Ji Dong Zhi;National Art Institute of Tibet Automonous Region;
Sang Ji Dong Zhi;National Art Institute of Tibet Automonous Region;
..............page:28-33+65-66
..............page:33
To Understand Symbol Feature of the Kam Grand Choirs by the View of “State Presence”
XIAO Jin-xiang;Bao Long-yuan;Ethnology and Sociology school of Guizhou Minzu University;
XIAO Jin-xiang;Bao Long-yuan;Ethnology and Sociology school of Guizhou Minzu University;
..............page:34-38
Aesthetic Perspective of the Forming Reason of Folk Customs——Take Gu Yi Nuo Opera of He Bei as an example
Qin Pei;Chinese National Academy of Arts;
Qin Pei;Chinese National Academy of Arts;
..............page:39-43
The Fieldwork of Morin khuur’s Craftsmanship——Take Bu He’s Craftsmanship for Example
LI Xu-dong;WU Ri-ga;HUANG Jun-jin;Art College of Inner Mongolia University;
LI Xu-dong;WU Ri-ga;HUANG Jun-jin;Art College of Inner Mongolia University;
..............page:44-52
The Survival Investigation of Zhucheng Mao Qiang in Shandong Province
Wang Zeng-xin;Art College of Inner Mongolia University;
Wang Zeng-xin;Art College of Inner Mongolia University;
..............page:53-59
Theory Study on Tibetan Buddhist Chanting Music Research Methods and the Application in Practice
Ma Liang;Music College;Minzu University of China;
Ma Liang;Music College;Minzu University of China;
..............page:60-64
..............page:64
Reflections on Naze Music Ethnography Research
ZHOU Te Gu Si;College of Music;Leshan Normal University;
ZHOU Te Gu Si;College of Music;Leshan Normal University;
..............page:65-68
nei meng gu li shi wen wu yi shu jing cui
kong qun ;
kong qun ;
..............page:65-68
Introduction to Man Han Diao Artistic Characteristics
Liu Hai-ping;
Liu Hai-ping;
..............page:69-73
Centuries Research on Mongolian Music( Part Ⅴ)
Boteletu;GUO Jing-jing;Art College;Inner Mongolia University;Inner Mongolia Academy of Social Science Hohhot;
Boteletu;GUO Jing-jing;Art College;Inner Mongolia University;Inner Mongolia Academy of Social Science Hohhot;
..............page:74-85
Modern Folk Songs and the Ecological Civilization construction——Take Modern Northern Shanxi Folk Songs as an Example
Wang Jie;Shi Tian;Shanghai jiaotong university institute of humanities;
Wang Jie;Shi Tian;Shanghai jiaotong university institute of humanities;
..............page:86-91
The Fusion of the National Music Theory And the Western Music Theory——LI Shi-xiang "Introduction to Mongolian Long-tune Folk Songs" Monograph Review
BAO Ming-de;BAO Hui-ling;Qiqihar University;
BAO Ming-de;BAO Hui-ling;Qiqihar University;
..............page:92-95
Reflections of ethnic tradition in Indian Rock Art:With special reference to Kaimur Rock Art
Dr.Sachin Kr.Tiwary;Zhang Jia-xin;Ministry of Culture;Government of India;Minzu University of China;
Dr.Sachin Kr.Tiwary;Zhang Jia-xin;Ministry of Culture;Government of India;Minzu University of China;
..............page:96-103
The Brief Account of National History of Art Since 1980s
ZHAO Pan-chao;Academy of Fine Arts;Minzu University of China;
ZHAO Pan-chao;Academy of Fine Arts;Minzu University of China;
..............page:104-108
..............page:108
Viewing on the Substance Feeling Presented by Contemporary Artistic Vision and the Lack of Expression in Artistic Language
WANG Yi;CHANG Wen-jie;Yu Xi Normal Universty;
WANG Yi;CHANG Wen-jie;Yu Xi Normal Universty;
..............page:109-112
Parataxis Between Brushwork in Oil Painting and Calligraphy
ZHANG Chun-hui;Department of Painting;Xiamen Academy of Arts And Design;Fuzhou University;
ZHANG Chun-hui;Department of Painting;Xiamen Academy of Arts And Design;Fuzhou University;
..............page:113-117
Analysis on Conception of Cultural Inheritance in Documentary Film——A Sample of Chinese New Year Folklore
Song Ying;Institute of Ethnic Literature;CASS;
Song Ying;Institute of Ethnic Literature;CASS;
..............page:118-124
Source researching of the Fixed form of Wugeng in Er-ren-tai
WU Jun;Graduate School of Chinese Academy of Social Sciences;
WU Jun;Graduate School of Chinese Academy of Social Sciences;
..............page:125-131
On Inner Mongolia Wulanmuqi Inheritance of Intangible Cultural Heritage
HAO Feng-cai;NA Da-han;College of Arts;Inner Mongolia University;
HAO Feng-cai;NA Da-han;College of Arts;Inner Mongolia University;
..............page:132-136
..............page:136
nei meng gu min jian yi shu jia jie shao
wu si ri gu leng ;
wu si ri gu leng ;
..............page:137