1672-9838
2014 Issue 2
yi da li la di na yin le xue yuan yuan chang bao luo luo ti li yi xing lai wo yuan jiao liu fang wen
..............page:2-4
On the Trace of Yu and Qiang Custom from the Upstream of Min River in Northwest Sichuan
LI Xiang-lin;China Folk Culture Institute;Sichuan University;
LI Xiang-lin;China Folk Culture Institute;Sichuan University;
..............page:5-10
..............page:10
Are Mongolian Yurt’s Doors Always Built towards the South?
Aerdingfu;College of Liberal Arts;Inner Mongolia Normal University;
Aerdingfu;College of Liberal Arts;Inner Mongolia Normal University;
..............page:11-19
Paragon of Chastity Temple and Hieron in the County of Yu and its Opera Performances Investigation
NIU Bai-lin;Shaanxi radio and TV University;
NIU Bai-lin;Shaanxi radio and TV University;
..............page:20-31
..............page:31
An Interpretation on the Festival Folk of Man in Drag
CHEN Jian-hua;Language and Culture Propagation Institute;Hubei University of Economics;
CHEN Jian-hua;Language and Culture Propagation Institute;Hubei University of Economics;
..............page:32-40
Best Use: From Folk Craft to Cultural Resources——In the Case of Investigation on Heze Dough Modelling Craft in Shandong
YANG Fan;Yantai Museum;
YANG Fan;Yantai Museum;
..............page:41-51
Architectural Cultural Connotation of Round-dragon House’s Featured Space
XIONG Huan;Centre for Historical Anthropology;Sun Yat-sen University;
XIONG Huan;Centre for Historical Anthropology;Sun Yat-sen University;
..............page:52-57
..............page:57
New Discussion on the Three-stage Piano Touching——Emotional Significance of Key Touching
YAN Jun;XIANG Yang;ZHOU Yi;Yunnan Arts University;Wenshan University;Honghe University;
YAN Jun;XIANG Yang;ZHOU Yi;Yunnan Arts University;Wenshan University;Honghe University;
..............page:58-63
The Application of Twelve-tone Series in Pentatonic Folk Music——On LUO Zhong-rong’s “Picking Lotus in Wading”
FENG Li;Guangdong University of Petrochemical Technology;
FENG Li;Guangdong University of Petrochemical Technology;
..............page:64-68
..............page:68
On the Polyphonic Thinking of Art Music
LIU Yan-ting;Shanghai Conservatory of Music;
LIU Yan-ting;Shanghai Conservatory of Music;
..............page:69-75
..............page:75
Thoughts on Music and Brass Performance:Based on My Own Experience at the Chicago Symphony Orchestra
John Hagstrom;LI Rui;Chicago Symphony Orchestra;College of Arts;University of Kentucky;
John Hagstrom;LI Rui;Chicago Symphony Orchestra;College of Arts;University of Kentucky;
..............page:76-78
The Effect of Orchestration in National Opera “Cang Yuan” on Shaping the Character
WANG Hao-cheng;Music Department. Art College;Inner Mongolia University;
WANG Hao-cheng;Music Department. Art College;Inner Mongolia University;
..............page:79-88
..............page:79-84
The Milestone of Peking Opera’s Arrangements and Developments——Beijing Opera historical documents compilation,volume in the qing dynasty
WANG Ping;China ancient fiction Drama Institute;Lanzhou City College;
WANG Ping;China ancient fiction Drama Institute;Lanzhou City College;
..............page:89-92
On the Explicatory Effect and Dubbing Method in Documentary Creation
ZHANG Li;Inner Mongolia Radio and TV;
ZHANG Li;Inner Mongolia Radio and TV;
..............page:93-98
..............page:98
An Interpretation on Intersubjectivity and the Rock Art( Part Ⅰ)
Robert Layton;XU Xi;Anthropology Department;Durham University;College of Arts;Inner Mongolia Univeristy;
Robert Layton;XU Xi;Anthropology Department;Durham University;College of Arts;Inner Mongolia Univeristy;
..............page:99-104
The Traditional Memory——Interpretation and dictation of Oroqen Shaman
Somiya;College of Arts;Inner Mongolia University;
Somiya;College of Arts;Inner Mongolia University;
..............page:105-112
Interpretation on Gesar Rap Music Case——Taking Yushu Gesar Rap Artists’ Singing Form as an Example
GUO Xiao-hong;Department of Art;Qinghai University For Nationality;
GUO Xiao-hong;Department of Art;Qinghai University For Nationality;
..............page:113-118
..............page:118
On the Development of Hainan Minority Traditional Craft Cultural Industry in the Context of International Tourism Island
XIAO Ping;Fine Arts Academy;South-Central University for Nationalities;
XIAO Ping;Fine Arts Academy;South-Central University for Nationalities;
..............page:119-128
Reflections on Art Discipline Construction
SONG Sheng-gui;Art College;Inner Mongolia University;
SONG Sheng-gui;Art College;Inner Mongolia University;
..............page:129-133
Mode of Inheritance of Mongolian Traditional Art
SA Ri-na;College of Arts;Inner Mongolia University;
SA Ri-na;College of Arts;Inner Mongolia University;
..............page:134-138
..............page:138
You must believe that the painted hall and her bedroom was luxurious,we can easily abandon the time——Read “The most beautiful cloud shoulder in China——reflect on the aftertaste of the culture”
LI De-chao;College of Arts;Suzhou University;
LI De-chao;College of Arts;Suzhou University;
..............page:139-140
..............page:141-150
..............page:151