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Journal of Art College of Inner Mogolia University
1672-9838
2012 Issue 4
wo yuan long zhong zhao kai da wo er e wen ke e lun chun min zu yin le zhan shi hui zuo xue shu zuo tan hui
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page:50
wo yuan bei nei meng gu zi zhi qu dang wei dui wai xuan chuan ban gong shi shou yu quan qu dui wai wen hua jiao liu gong zuo xian jin dan wei
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page:122
The Reading Notes of historical material of Mongolian Thre-stringed Musical Instrument
Ulaanjee
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page:13-15
An Approach to Collocation Custom of the Transition Color in Horchin Mongolian Clothing Embroidery Technology
MING Lan
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page:35-37
wu li ji bo shi zai wo yuan zuo zhong xi mei shu shen mei bi jiao jiang zuo
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page:64
The Culture Introspection of the Contemporary Han Clothing Renaissance
HAN Xing
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page:38-45
On the Diversity of Origin and Development of Three-stringed Instrument
YAN Ding-wen1.NIE Xin-rong2.
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page:16-18
wo yuan xue sheng zuo pin ru xuan nei meng gu zi zhi qu di liu jie tiao zhan bei da xue sheng chuang ye ji hua jing sai jue sai
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page:117
he Actual Dilemma and the Inheritance Protection of She Clothing——A case study of Xiapu She nationality clothing protection
GONG Ren-jie
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page:19-22
Investigation of the Present Situation of Debang Miao Silver Forging Skill
1.CHEN Jian 2.JIAO Cheng-gen 3.TANG Hui 4 LIU Wen.
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page:23-34
wo yuan qing nian jiao shi can jia 2012 nian du quan qu zhe xue she hui ke xue jiao xue ke yan gu gan yan xiu ban xue xi
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page:133
wo yuan yin le xi zuo qu jiao yan shi qing nian jiao shi ying yao can jia shang hai yin le xue yuan di wu jie dang dai yin le zhou
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page:126
xing hai yin le xue yuan li zi li jiao shou lai wo yuan jiang xue
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page:22
The Local Tradition and the Inheritance and Form of Mongolian Three-stringed Instrument in China
Botolt SHI Tian-li
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page:5-12
wo yuan guo jia ji ke yan xiang mu meng gu zu duan diao min ge ke ti zu ju xing zhong qi zong jie yan tao hui
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page:138
wo yuan yin le xi ju ban wu lan jie jiao shou meng gu zu chuan tong yin le mei xue zhuan ti jiang zuo
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page:109