Journal of Art College of Inner Mongolia Universit 2012 Issue 3 A Little Thinking of Er-ren-tai Art Cognition

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Journal of Art College of Inner Mongolia Universit
1672-9838
2012 Issue 3

A Little Thinking of Er-ren-tai Art Cognition
CAO Rui-qing

..............page:129-131

nei meng gu di er jie wu la te min ge da sai zai nei meng gu ba yan nao er shi ju xing

..............page:93

meng gu zu ge chang jia de de ma ju ban cong yi 50 zhou nian gan en jia xiang yan chang hui

..............page:77

The Semantic Markers: Li people’s "Inserted Star" and "Ban Star"
YUAN Xiao-li

..............page:38-42

nei meng gu shao nian he chang tuan lian chuang jia ji

..............page:137-139

yi tai qing di jiu jie zhong guo nei meng gu cao yuan wen hua jie zai hu he hao te ju xing

..............page:128

Mixing of Man and God ——Images and witch appearance in Sanxingdui artifacts hole
HU Shao-zong

..............page:28-37

2012 nian zhong guo yi shu ren lei xue nian hui zuo xue shu yan tao hui zai wo yuan zhao kai

..............page:1-3

On the Application of the Paint Technology in the Indoor Environment
ZHANG Jing

..............page:101-104

The Ancestral World——The world of Australian Aboriginal Cave and Rock Paintings
Written by Paul Tarsen;Translated by Li Di;Proofread by Luo Yi-fei

..............page:90-93

The Field Report on the Tourist Arts of Woodcrafts and Paintings in the Old Town of Lijiang Since 1990s
ZHOU Wei-wei

..............page:78-89

Folk Art and the Local Image Repositioning ——from "Jinluodian" to "Longchuanluodian"
XU Li-ping1 CHEN Zhi-qin2

..............page:52-57

The Field Investigation of Wu family Clay in Helingeer Inner Mongolia
Huang Jun-jin

..............page:71-77

The protection and inheritance system construction of folk dress cultural heritage
CUI Rong-rong;NIU Li

..............page:105-109

Aesthetic education and the living inheritance of national culture ——Take zhang shaohua’s folk art education in jianchuan of yunnan province for example
XIANG li

..............page:64-70

An Approach to the "Scapegoat" Phenomenon in Mongolian Epic Sing
A Jing-si

..............page:120-122

Thick description on the morpho-types of chant sutras music of Mongolia
CHU Gao-wa

..............page:114-119

Folk Tradition from Aesthetic Perspective ——Case Study of Kingfisher Blue Art
HAN Cheng

..............page:58-63

Sum Up of the 2012 China Art Anthropology Academic Seminar
YANG Wei-na

..............page:132-136

On 21st century art consciousness of drama directors
WANG Ping

..............page:22-27

Kazakhstan Artistic Creation in the 20th Century
LIU Wen-bin

..............page:94-100

jiao yu bu yi shu zhuan ye shuo shi di er jie jiao zhi wei di san ci quan ti hui yi zai hu zhao kai
yang wei na

..............page:104

Art lore: Intangible cultural heritage and art anthropology
Written by Wilfried Van Damme;Translated by Guan Yi

..............page:11-15

Interpretation of Wisdom in Traditional Mongolian Costumes
CAO Li

..............page:110-113

yuan shang du yi zhi huo lian he guo jiao ke wen zu zhi shen yi tong guo cheng wei wo guo di 42 chu shi jie yi chan

..............page:15

NoblePostmodern Turn——A case study of Lyotard Sublime Aesthetics
FENG Xue1;LIU Qing 2

..............page:16-21

Arts and the Nation-State
Naran Bilik

..............page:5-10

The Intangible Cultural Heritage among People——Changshan war drum from the perspective of anthropology of art
WANG Yong-jian;YU Zhou

..............page:43-51

An Interpretation of the Practical Significance "Tong-jun-san-gong"——Viewing the "Jjie-diao-ji-pu" phenomenon
LIU Xiao-wen;MIAO Jin-hai

..............page:123-128