Art Market 2013 Issue 28 pai mai feng yun bang

pai mai feng yun bang

..............page:99-104

EMBROIDERY ON ENAMEL

..............page:147-149

zhong guo yi shu shi chang di yuan quan jing sao miao zhi yi xing zi sha wan xiang
ren hao ;

..............page:114-119

yi shu shi chang zheng ding zhong

..............page:23

Ren Bonian and Xu Beihong:To the Refreshing Change of Chinese Figure Paintings
wang gen sheng ;

..............page:88-92

a dream for foreign invested auction companies
wu wen long ;

..............page:60-63

“Old Rhyme of Music” in Collection Market
guo jing ; pang si jian ;

..............page:77-79

Preview on 2013 HK Autumn Auction:Sector Focus Represents Distribution Difference
gang zuo ;

..............page:54-59

si da guo shi tong chang jing yan ge da liu pai yi zuo wang luo

..............page:66-67

Qiu Xiaojun:To Justify the “Special Period”of Ceramics in the Ming Qing Dynasties
wu wen long ;

..............page:73-76

SUPPORTING ROLE WITH REAL VALUE
gong meng ;

..............page:106-109

Rising of Traditional Stone Carving Culture Heritage and Market Promotion of Shoushan Stone
wan jiang ; fu jian dong nan pai mai ;

..............page:133-135

WHAT IS YIXING MODERN ART PAINTED POTTERY?

..............page:143-146+142

Wang Yiting:Art Market Activist in the Republic of China
gong xue ;

..............page:126-129

How to Select Young Artists in “Market Fever”?
liu zuo zuo ;

..............page:50-53

Identiication and Collection of Buddhist Paintings
li lin ;

..............page:80-83

ARTISTS OF PAINTINGS ART MARKET TOP LIST

..............page:93-98

Gallery of private dream
gong meng ;

..............page:121-125

New Suspicion on Identification of Bamboo Penholder in the Ming & Qing?Dynasties
sheng hua ;

..............page:84-87

Art introduction

..............page:151-152

yi shu pin ke xue jian ding yu guan li pei xun ban zhao sheng jian zhang

..............page:21

zi xun

..............page:19

Energy Saving for Lacquer Painting Market
yao zi ; fu jian dong nan pai mai ;

..............page:139-141

The Third Pole of Inscription Stone Auction Seal-cutting Market divided by Beijing,Hangzhou,Shanghai and Fujian
chang zuo ; fu jian dong nan pai mai ;

..............page:136-138

fu jia shan shui
li wei guang ;

..............page:154

shang hai ming xuan guo ji yi shu pin pai mai you xian gong si er yi san ming xuan shou jie yi shu pin pai mai hui

..............page:13-17

AGE-OLD QUI NTESSENCE OF CHI NESE CULTURE MDDERN PAI NTED POTTERY IN YIXING

..............page:150

Resource Battle:The Beginning of Field-yellow Stone Era
yu gang ; fu jian dong nan pai mai ;

..............page:130-132

AUCTION EXPRESS

..............page:46-49

HOW TO SELECT YOUNG ARTISTS IN "MARKET FEVER" ?

..............page:44-45

COMMENT AND MDRDANCY COMMENTARY
zhang tian yu ;

..............page:70-71

Market Analysis on the Paintings of Lingnan School

..............page:68-69

fo miao zhi jing meng hui dun huang

..............page:12

A ROAD TO THE CLASSIC IN NEW AUCTION MARKET
yao zuo ;

..............page:64-65

Certification Era of Chinese Artworks
zhang tian yu ; lu jing ; gong meng ;

..............page:30-43

INK-PAINTINGS EXHIBITION OF EDINBURGH STRIKES THE UK
sun yu jie ; huang qing can ; sun kai ;

..............page:24-29

BAODING AFFILIATED ART GALLERY

..............page:153

Prepare for the Rainy Days Strategy of Color-paintings Collection
lei rong rong ;

..............page:110-113