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Art Market
1671-7910
2013 Issue 25
Investment Guidance for Chinese Contemporary Painting and Calligraphy Market
zhang tian yu ;
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page:18-29
“BEST COLLECTION” STRATEGY FOR THE QUARTER AUCTION
gang zuo ; liu zuo zuo ;
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page:38-43
KUN LUNZI’S INK AND WASH PAINTING
kun lun zi ;
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page:4
ARTISTS OF PAINTINGS ART MARKET TOP LIST 2013
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page:67-72
Seal Cutting-A Newly Emerging Market
wang bo yan ;
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page:86-91
bei jing gong bi zhong cai hua hui cheng li 34 zhou nian te zhan zuo zuo mei shu guan kai guan dian li ju xing
zhou jin ;
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page:7
A GLIMPSE OF LANDSCAPE PAINTINGS-PINETREE AND STONE PAINTINGS IN THE EARLY PERIOD OF NORTHERN SONG DYNASTY
wang zhuo ran ;
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page:58-61
AUCTION HOT LIST
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page:73-78
CHANGAN PAINTING STYLE:MOMENTUM SPURS WITH LONG ACCUMULATION
lu jing ;
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page:44-45
zuo ting qing you
ZHAOWEI;
..............
page:130
zi sha wen ren da jia chen man sheng
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page:119-123
gui zi yin xiang
ren rui hua ;
..............
page:1
zi sha hu dian gu
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page:124-128
BAODING AFFILIATED ART GALLERY
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page:129
Unusual Experience of Oil-painting Masters & Outstanding Market
hu zuo xun ;
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page:108-111
International Cultural Exchange Center of China Cultural Media Group Limited(Tangshan) Inaugural Ceremony of Artist Creation Base by Art Market Magazine(Tangshan)
sun yu jie ; wu jing bo ; gao xin yuan ;
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page:8-17
LU JINGQING:SIGNIFICANT GROWTH OF NEW BUYERS IN “HOT” SOUTHERN MARKET
gang zuo ;
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page:34-37
What Makes Master’s Calligraphies Famous?
liu zuo zuo ;
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page:104-107
PORCELAIN WITH BOGU LINES-WITNESS TO THE RISE AND FALL OF QING DYNASTY
qu jia hui ;
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page:62-66
zhong guo yi shu shi chang di yuan quan jing sao miao zhi hang zhou yi shu shi chang guan kui
chen wen yan ;
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page:92-97
AUCTION EXRESS
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page:32-33
zhong guo xin yi shu 8 yue hai xuan sai kai sai
gang zuo ;
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page:7
THE APPRECIATION OF FINE WORKS BY YAO DI XIONG A TRADITIONAL
yao di xiong ;
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page:2-3
zong shu
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page:31
han mo chuan cheng zhong guo mei shu guan dang dai shu fa yao qing zhan kai zhan
liu zuo zuo ;
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page:7
RETURN TO THE PROFESSION,THE BASIS CONDITION FOR SURVIVAL IN ART AUCTION
wan jiang ;
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page:112-117
Museums Enter into a Fake Exhibits Era
pang si jian ;
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page:99-103
TIMES SIGNIFICANCE OF QI BAISHI’S LANDSCAPE PAINTINGS
deng hui bo ;
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page:54-57
qing zao qi bi yan hu shou cang tou zi zhi nan
mu yi yao ;
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page:80-85
NEW UNDERSTANDING ON IDENTIFICATION OF BRONZE WARES AND INSCRIPTIONS
wu wen long ;
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page:49-53
jiao hu shi xiang 2013 hai xia liang an dang dai yi shu zhan yu zhong guo mei shu guan kai zhan
liu zuo zuo ;
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page:7
COMMENT AND MORDANCY COMMENTARY
zhang tian yu ;
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page:46-47