1008-2018
2013 Issue 5
Identity,Relation and Role Play——A Study on Three Identity Groups in Contemporary Chinese Folk Dance
LIU Jian;ZHAO Tie-chun;Beijing Dance Academy;
LIU Jian;ZHAO Tie-chun;Beijing Dance Academy;
..............page:1-5
..............page:2-4
..............page:5-8
On the Rise of “Pure” Contemporary Chinese Folk Dance and Its Aesthetic Characteristics
PAN Li;Department of Dance Studies;Beijing Dance Academy;
PAN Li;Department of Dance Studies;Beijing Dance Academy;
..............page:6-9
The Effect of “Intended Blank” On the Generation of Artistic Conception of Dance
ZHANG Li-na;LI Dan-dan;Art Institute of Jiujiang University;
ZHANG Li-na;LI Dan-dan;Art Institute of Jiujiang University;
..............page:10-13
Discussion on the Leisure Dance and its Development Road
GULANDANMU;DAI Wei-min;Shanghai University of sports;
GULANDANMU;DAI Wei-min;Shanghai University of sports;
..............page:14-18
Analysis of Dancing Figures on Rock Paintings in the Southern Sichuan Province
XU Yan;College of Music and Performing Arts;Yibin University;
XU Yan;College of Music and Performing Arts;Yibin University;
..............page:19-25
On Spread of Tang Dynasty’s Dance and Music in Japan in The Tale of Genji
YONG Wen-mao;School of Arts;Peking University;
YONG Wen-mao;School of Arts;Peking University;
..............page:26-29
On Huxuan Dance in Poetry of Tang Dynasty
ZOU Shu-qin;College of Humanities of Xinjiang University;
ZOU Shu-qin;College of Humanities of Xinjiang University;
..............page:30-33
bei jing wu dao xue yuan di wu jie xue shu wei yuan hui di san ci quan ti hui yi kuo da hui
ben kan ;
ben kan ;
..............page:33
History and Comparisons of the Development of Modern Dance in the Early 20th Century Japan and China
LIU Li-na;Department of Musical Theatre;China Central Academy of Drama;
LIU Li-na;Department of Musical Theatre;China Central Academy of Drama;
..............page:34-38
Reflections on the Tenth Taoli Cup Dance Competition for Chinese Ethnic and Folk Dance
WANG Xin;hinese Ethnic and Folk Dance Department;Beijing Dance Academy;
WANG Xin;hinese Ethnic and Folk Dance Department;Beijing Dance Academy;
..............page:39-44
Review and Thought on Taoli Cup Dance Competition
WANG Qiao-qiao;School of Dance;Beijing Opera Art’s College;
WANG Qiao-qiao;School of Dance;Beijing Opera Art’s College;
..............page:45-48
On Linguistic Characteristics of Teaching Material of Academic Type of Jiaozhou Yongko by Analysis of Works in Taoli Cup Dance Competition
SHEN Ming-li;Faculty of sport and art of Beijing Sport University;
SHEN Ming-li;Faculty of sport and art of Beijing Sport University;
..............page:49-53
On Creative Characteristics of Award-winning Group Dances of Chinese Ethnic and Folk Dance in National Dance Competition
FENG Bai-yue;Music College of Wenzhou University;
FENG Bai-yue;Music College of Wenzhou University;
..............page:54-59
..............page:59
Investigation of Multi-culture of the Folk Dance of Achang Nationality
TANG Bai-jing;Ethnic Art Studies Institute of Yunnan;
TANG Bai-jing;Ethnic Art Studies Institute of Yunnan;
..............page:60-65
Morphological and Ecological Environment Analysis of Mang People Dance
ZHANG Di;College of Music;Honghe University;
ZHANG Di;College of Music;Honghe University;
..............page:66-69
Gushi Huatiao Pop Culture Features and Comtemporary Heritage
HU Wei;LI Yan;College of Music at Capital Normal University;
HU Wei;LI Yan;College of Music at Capital Normal University;
..............page:70-72
Basic Conception of Establishing Choreography Teaching System in Normal University
LI Man;College of Music and Dance;Henan Normal University;
LI Man;College of Music and Dance;Henan Normal University;
..............page:73-76
On Relationship between “Demonstration” and “Imitation” in Teaching of Chinese Ethnic and Folk Dance in ASSBDA
ZHANG Sai-rong;Chinese Folk Dance Dept.;Affiliated Secondary School of Beijing Dance Academy;
ZHANG Sai-rong;Chinese Folk Dance Dept.;Affiliated Secondary School of Beijing Dance Academy;
..............page:77-80
Amateur Dancing Education and Teaching
ZHANG Ling;Center of Dance Examination;Beijing Dance Academy;
ZHANG Ling;Center of Dance Examination;Beijing Dance Academy;
..............page:81-83
The Hunting Cultural Characteristics of the Folk Dancing Music of Ewenki Nationality
MIAO Jin-hai;Art College of Inner Mongolia University;
MIAO Jin-hai;Art College of Inner Mongolia University;
..............page:84-87
Research on Artistic Image,the Dramatic and Narative Features of Music in Sparta
GAO Feng;Art College;LuDong University;
GAO Feng;Art College;LuDong University;
..............page:88-90
The Function of Music in Dancing of Road of Revival
CHEN Yan-yan;Wenzhou Vocational & Technical College;
CHEN Yan-yan;Wenzhou Vocational & Technical College;
..............page:91-93
On Uniqueness of Vocal Teaching for Musical Professionals
GUO Peng;Musical Department of Beijing Dance Academy;
GUO Peng;Musical Department of Beijing Dance Academy;
..............page:94-96
On Teaching of Musical Performers
HUANG Kai;Musical Department;Beijing Dance Academy;
HUANG Kai;Musical Department;Beijing Dance Academy;
..............page:97-101
..............page:101
Uncover the Integration Concept of Musical Choreography in Mamma Mia
HE Mi-jiang;Faculty of Graduate Studies;Beijing Dance Academy;
HE Mi-jiang;Faculty of Graduate Studies;Beijing Dance Academy;
..............page:102-105
..............page:105
..............page:106-108
..............page:109-111
niu yue huang hou xue yuan fang xue shou ji
su xue bing ;
su xue bing ;
..............page:112-114
niu yue da xue fang xue kao cha bao gao
shi jing zuo ;
shi jing zuo ;
..............page:115-118
Dance in the Renaissance: European Fashion,French Obsession
Brandin Barón-Nusbaum;Margaret M. McGowan;
Brandin Barón-Nusbaum;Margaret M. McGowan;
..............page:119-120
dang shi shang zuo zuo wu dao
zhu mei ;daprey g;chapoullie d;enguerand b;
zhu mei ;daprey g;chapoullie d;enguerand b;
..............page:121