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Opera
1672-3821
2015 Issue 4
zheng gao qi shi
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page:5
Two fundamental issues about Chinese opera:Observations based on new works of 2013
man xin ying ;
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page:6-13
An operatic dream of three decades
liu zhen qiu ;
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page:14-19
Hong Kong Philharmonic’s first Ring installment
zhou fan fu ;
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page:20-24
Turandof vs The Phanfom of the Opera
fan fu ;
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page:25-28
The best and worst of 2014 American opera
tang ruo fu ;
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page:29-31
Joyce DiDonato showed her vocal prowess in the Met’s first-ever production of La Donna del Logo
xie chao zong ;
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page:32-33
"No Excuses" :Promising Chinese singers get a taste of the "real world" in the Juilliard-Met Opera Lindemann Program
Ken Smith;
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page:34-41
On Guo Lanying(Ⅲ):My own impressions
huang qi shi ;
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page:42-47
Bass Li Xiaoliang:Never choosing a role arbitrarily
zi yin ;
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page:48-53
Understanding opera and musical nationalism:Bedrich Smetana’s The Bartered Bride
ou nan ;
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page:54-57
Understanding anew opera’s origin
jiang yi min ;
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page:58-61
Fusion is what distinguishes Wagner’s Tristan und Isolde
liao kang ;
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page:62-66
The tumultuous 1950’s:Memoirs of Rudolf Bing(Ⅳ)
wang chong gang ;
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page:67-71
Savoring plum blossoms amidst the snow:On the fifth anniversary of my performing The White-Haired Girl
you zuo zuo ;
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page:72-74
How to make a musical(V)—Casting
Matthew White;
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page:76-81
Domestic News
zhou peng ling zi ;
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page:82-83
International News
chen zuo zuo ;
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page:84-85
Musical News
zhang chun juan ;
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page:86-87
Appreciation of classic
ou nan ;
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page:88-89
Young singers and competitions
Joanna C.Lee;
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page:90-91
jin xiang ge ju re wa pu lian ge zhong de wei wu er zu diao shi te zheng
ma lin ;
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page:92-94
Opeva & Musical Schedule
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page:95-96
ju zhi hua cai shang hai ge ju yuan ge ju jing dian pian duan yin le hui
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page:95
ge ju za zhi 2015 you gou shu mu
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page:97