1672-3821
2009 Issue 1
Promoting innovation in cultural venues
gu wei kang
gu wei kang
..............page:50-51
Some impressions on Yang Guang's recital
ren hai jie
ren hai jie
..............page:6-7
..............page:10-11
..............page:61-64
..............page:75-78
Modes
hu yue fei
hu yue fei
..............page:74
Expert Course
gu ping
gu ping
..............page:70
The path of Chinese opera on the global scene
han wan zhai
han wan zhai
..............page:47-49
..............page:14-15
..............page:28-29
Opera History(13)
chen ben qian
chen ben qian
..............page:72-73
..............page:66-67
Semperoper——A mirror of German history and culture
liu jian min
liu jian min
..............page:58-60
Star conductors step on the Met's podium
xie chao zong
xie chao zong
..............page:8-9
..............page:17
For You at the Linbury Studio Theatre,London
hu yue fei
hu yue fei
..............page:16
Economy lowers curtain on opera
ken smith
ken smith
..............page:18-23
Five questions about Chinese opera
liu heng yue
liu heng yue
..............page:44-46
..............page:36-39
Stop your anguish,save opera
wen xin guo
wen xin guo
..............page:54
..............page:79-80
Operatic Maestros
jin jian min
jin jian min
..............page:68
Appreciation of classic
ma si jia
ma si jia
..............page:65
OPERAS PREMIERED IN JANUARY
jin jian min
jin jian min
..............page:69
The distance between Chinese opera and its public
shao qi qing
shao qi qing
..............page:40-43
xin nian ji yu
zhang guo yong
zhang guo yong
..............page:5
Pelléas et Mélisande at Sadler's Wells,EC1
xie jing jing
xie jing jing
..............page:12-13
..............page:30-35
..............page:55-57
Assessing operas made in China
wen de qing
wen de qing
..............page:52-53
..............page:24-27