1672-3821
2008 Issue 11
..............page:42-45
..............page:66-69
Mulan on stage at the Vienna Opera
bo da zuo
bo da zuo
..............page:64-65
A change that began with Les Misérables
fei yuan hong
fei yuan hong
..............page:61-63
..............page:78-79
OPERAS PREMIERED IN NOVEMBER
jin jian min
jin jian min
..............page:75
Opera History (11)
chen ben qian
chen ben qian
..............page:76-77
..............page:80
Keeping it real: Doctor Atomic at the Met
ken howard
ken howard
..............page:12-13
The Chinese taking a lead in operatic grandeur——San Francisco Opera's The Bonesetter's Daughter
liu xue feng
liu xue feng
..............page:38-41
Prague National Theatre: A gem of Czech culture
yao yun qing
yao yun qing
..............page:51-53
Magic that transpires on stage
zhou peng
zhou peng
..............page:70-71
..............page:18-19
..............page:25-29
..............page:14-15
..............page:16-17
..............page:66
The Hollywood connection
ken smith
ken smith
..............page:30-37
..............page:20-21
Royal Opera House season started with a difference
xie jing jing
xie jing jing
..............page:9-11
..............page:8
The politically aware and the hate and love——Don Carlo has its debut in Hongkong
shi jun liang ; huang guo hui
shi jun liang ; huang guo hui
..............page:7
Shanghai Opera's Otello reviewed in Das Opernglas
liu jian min
liu jian min
..............page:6
Crazy for Love——Donizetti's three tragedies
ren hai jie
ren hai jie
..............page:46-50
ge ju yin ta men er jing cai
jin jian min
jin jian min
..............page:74
Takarzuka Revue: A Japanese aperatic miracle
liao ming zhi
liao ming zhi
..............page:54-57
..............page:22-24
When divas meet Ariadne
gu chao
gu chao
..............page:58-60
Scales
hu yue fei
hu yue fei
..............page:73
Expert Course
tao xin
tao xin
..............page:72