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National Art Museum of China Journal
1673-1638
2013 Issue 7
da mei tian shan cai mo xin jiang
huang yong jun ;
..............page:39-81+38+132+2+130
he nan huai yang ni ni gou chuan cheng ren : xu shu zhang
zhou jia ;
..............page:108-115
zuo xin jing guan
wang xian jun ;
..............page:88-92
juan shou yu
fan di an ;
..............page:3
lun zhong guo gu dai shan shui hua de mei xue nei han
liu wen bin ;
..............page:33-37
yi shu wen zhai
..............page:122-125
ti yan bing guan zhu diao su guo cheng
zuo xiao song ;
..............page:127
zhong guo gu dai shan shui hua yan jiu
Chinese Traditional Landscape Ink Painting;often called"Shanshui"for short;is a kind of Chinese painting in which the main objects are mountains and rivers scenery. According to Famous Paintings hrough the Ages;in the Han Dynasty;there was Emperor Wu of Han’s he True Scene of the Five Scared Mountains which was the irst landscape painting ever been recorded. During the hree Kingdoms;Mrs Zhao-Queen of Wu State has tried to map the terrain of mountains and rivers. Until the Eastern Jin Dynasty;landscape painting has come into being. To the Sui and Tang Dynasties;landscape painting started to be independent. During Five dynasties and the Northern Song Dynasty;landscape painting entered its mature stage and became an important painting branch of Chinese painting. In this issue;we will start discussions around related theoretic problems of landscape painting;in the hope of drawing attention in academia.
..............page:6-7+4
mei shu shi xie zuo nei wai guan
geng shan ;
..............page:126
jing zhi er li ji de bi ye zhan
xue ya jun ;
..............page:126
wei jin nan bei chao shi qi shan shui hua fa zhan de nei zai ji zhi
xu xiao geng ; xu bo ;
..............page:7-17
pang mao zuo de yi shu shi jie
yin shuang xi ;
..............page:82-87
zou jin yue nan guo jia mei shu guan
xie zuo ;
..............page:101-104