1003-0433
2016 Issue 2
APPRECIATING NOVELTY
shang hui ;
shang hui ;
..............page:2-7
..............page:12
INK-AND-WASH BEAUTIES: THE RISE AND DEVELOPMENT OF THE ART OF CHINESE CONTEMPORARY FEMALE INK-ANDWASH
yang wei min ;
yang wei min ;
..............page:14-15
STROKES INSPIRED BY GENERAL LIFE; NATURAL IMAGERIES WITHOUT DOUBTS:READING JI JINGNING’S MODERN FIGURE PAINTINGS
xiao su hong ;
xiao su hong ;
..............page:16-22
..............page:23-25
WITHOUT DOUBTS
pan ying ;
pan ying ;
..............page:26-27
A SYMPHONY OF INK AND WASH
bi ke yan ;
bi ke yan ;
..............page:28-33
SIX INCENSE BURNT·CRUMBS OF LIGUMALOES
zi ming ;
zi ming ;
..............page:34-39
ON FREEHAND FIGURE PAINTINGS
ma zhao lin ;
ma zhao lin ;
..............page:40-45
DAIRY OF “THE DAY AND NIGHT”
liu pai ;
liu pai ;
..............page:46-51
TIME AND I
yue xiao fei ;
yue xiao fei ;
..............page:52-55
THE SECRET OF DREAMLAND
zhang wei ;
zhang wei ;
..............page:56-57
READING MA SHUANG’S PAINTINGS
li guo hua ;
li guo hua ;
..............page:58-63
WANG NANYI: A SELF-REFLECTION ON LANGUAGE
gu yao feng ;
gu yao feng ;
..............page:64-66
A DEPARTURE WITH ONE’S EGO AND ACCLIMATIZED WILDNESS: A CRITIQUE ON WANG NANYI’S ABSTRACT ART
zhang lin ;
zhang lin ;
..............page:67-69
IN THE STUDIO: LISA YUSKAVAGE
jie rui te ou nei si te ; wang xi zuo ;
jie rui te ou nei si te ; wang xi zuo ;
..............page:70-75
NEW ABSTRACTION IN CURRENT PAINTING(Ⅲ)
si wen de lu er ; wang wen zuo ;
si wen de lu er ; wang wen zuo ;
..............page:76-83
..............page:84-91
IMPERVIOUS TO WIND, RAIN OR SHINE
ma xue dong ;
ma xue dong ;
..............page:92-95
ROUTINE LABOR AND SILENT OBJECTS: ON THE ART OF LI YONGGENG
cheng xiao mu ;
cheng xiao mu ;
..............page:96-99
..............page:100-101
..............page:102-103
XUZHOU PHENOMENON IN CHINESE MODERN FINE ARTS
qiao qian ;
qiao qian ;
..............page:104-105
PUBLICITY: DEVELOPMENT OF SCULPTURE IN GUANGXI DEMANDED BY TIMES UNDER DIVERSE CULTURAL HORIZONS
shi xiang dong ;
shi xiang dong ;
..............page:106-107
SPATIAL INTENTION IN OIL PAINTINGS
huang jiang zi ;
huang jiang zi ;
..............page:108-109
..............page:110-111
..............page:112-113
A COMPARATIVE STUDY ON THE AESTHETIC CHARACTERISTICS OF CHU AND ITS COETANEOUS WESTERN STYLING ARTS
du zuo ; li song lin ;
du zuo ; li song lin ;
..............page:114-115
A RESEARCH ON BONNARD’S PAINTINGS
zhao na ;
zhao na ;
..............page:116-117
COLOR EXPRESSION OF CHINESE PAINTING
jiang hua ;
jiang hua ;
..............page:118-119
..............page:120-121
..............page:122-123
..............page:124-125
APPLICATION OF HUMAN-CENTERED FORMAT DESIGN EDUCATION
zhang hai xia ;
zhang hai xia ;
..............page:126-127
..............page:128-129
CULTURAL INHERITANCE OF KASHGAR ZOOMORPHIC OCARINA
wang li bo ;
wang li bo ;
..............page:130-131
..............page:132-133
..............page:134-135
..............page:136-137
TECHNIQUE COMMUNICATION AND DEVELOPMENT OF YANGJIANG LACQUER CRAFT
peng chao liang ;
peng chao liang ;
..............page:138-139
“CUSTOMIZATION”: STYLISTIC EXPLANATION OF WESTERN MOUNTAINOUS CITIES——A CASE STUDY ON XIAOJIN COUNTY
deng zuo ;
deng zuo ;
..............page:140-143
..............page:144-146
FACSIMILES FROM ABROAD
liu lan ; wang xi zuo ;
liu lan ; wang xi zuo ;
..............page:148-149
VIEWPOINT
a xin ; lan zi ; wei min ; xiao ding ; li wen ; jing ling ;
a xin ; lan zi ; wei min ; xiao ding ; li wen ; jing ling ;
..............page:150-151
chuan xing
ren huan ;
ren huan ;
..............page:153
jia
liu jin gui ;
liu jin gui ;
..............page:154