China Art 2013 Issue 3 SHI HU

SHI HU
peng de ;

..............page:2-13+1

Foreword

..............page:16

THE VALUE AND NOUMENON OF CHINESE CONTEMPORARY MILITARY-THEMED ARTS
deng ping xiang ;

..............page:17-21

RISINGWITH ACCUMULATED STRENGTH, FOLLOWING THE DOCTRINE OF THE MEAN
xu xiang qun ;

..............page:22-25

THE STYLE OF SUN HAO
fan di an ;

..............page:26-27

REVIEWS OF LI RU’S ART COLLECTION

..............page:28-30

ON LI-RU’S ART WORKS
li ru ;

..............page:31-32

ZHANG LIKUI: INTERACTING WITH CULTURES WORLDWIDE WITH VIVID CHINESE CHARACTERISTICS
fu jing sheng ;

..............page:33-35

RETURN TO HISTORICAL ORIGIN, SHAPE NATIONAL SPIRIT: THE BATTLE IN BLOOD AT TAIERZHUANG BY XUQINGFENG’S
guo zhen yu ;

..............page:36-39

HOW TO BE DETAILED WHILE BLAZING: A STUDY ON XUQINGFENG’S NARRATIVE STRATEGIES BASED ON BATTLE IN BLOOD AT TAIERZHUANG
zheng gong ;

..............page:40-45

THE ART OF MIAO ZAIXIN’S CHINESE PAINTINGS
zhang jing ;

..............page:46-49

A PAINTER WHO DRAWS WITH HEART: LUOGENXING AND HIS WESTERN TIMES
jun yan ;

..............page:50-53

A DEPICT OF LIFE: INK-AND-WASH FIGURE WORKS BY CHEN YUMING
zhuo jin ;

..............page:54-57

“SHAPING” SUBLIMITY
liang yan ;

..............page:58-60

COLLISIONS BETWEEN FLESH AND SOUL: LI LIANZHI AND HIS ART WORKS
gong ping ;

..............page:61-63

DRAWING IS A “ROMANTIC” THING
xu xiang qun ;

..............page:64-67

EXPLORATION INTO INKCOLOR LANDSCAPE WORKS: REVIEW ON LI XIANG’S PAINTING FROM THE NATURE
lang shao jun ;

..............page:68-69

BATTLE COMPANIONSHIP THROUGH BLOOD AND FIRE: ON THE WORK OF THE GENERALS OF PEOPLE REPUBLIC OF CHINA
chen jian ;

..............page:70-71

THE DRAWINGS OF DAVID HOCKNEY
bao luo mei li ya ; wang xi zuo ;

..............page:72-79

IT HAS EVERYTHING: THE ART OF OLAV CHRISTOPHER JENSSEN
mi xia ai er shi duo yi bo er ; wang wen zuo ;

..............page:80-85

A FOLK PAEAN TOHEROS: SONGCHANGQING’S CHINA ENTERS ANEW ERA
yin shuang xi ;

..............page:86-88

HEROIC COMPLEX·THE RED DREAM: SHEN YING’S INTERVIEW WITH SONG CHANGQING
shen ying ; song chang qing ;

..............page:89-99

THE FADINGAROMA OF LOTUS AND PERISHED GREEN LEAVES: READING WANG MUCHUN’S NEW WORKS
chen xiao xin ;

..............page:100-105

PHILOSOPHY OF THEMONO-HA ARTISTS
luo cai ;

..............page:106-108

INK AND WASH: THINKING ACROSS TIME AND SPACE
huang yan ;

..............page:109-111

DESIGN WITH SOCIAL EVOLUTION
zhou jiang ;

..............page:112-115

THE VIVID CHARM OF THE LINES AND SHAPES IN CHINESE PAINTINGS
shen li ;

..............page:116-117

EXPLORATION ON THE SPIRITUAL CONNOTATION OF NI ZAO’S“EMPTY PAVILION” FROM THE IDEA OF CONFUCIANISM TAOISM AND BUDDHISM
dong mei ;

..............page:118-119

THE NATURALITY AND AESTHETIC FEATURES OF CERAMIC ARTS
yu jie xing ;

..............page:120-121

NARRATION AND TIME: POETICS-INTERNALIZED DECORATIVE PATTERNS OF MIAO ETHNIC GROUP IN THE SOUTHEAST AREA OF GUIZHOU
zhang dan ;

..............page:122-123

THE IMPACT OF INVISIBLE ELEGANCE IN CHINESE ARTS
you huo wang ;

..............page:124-125

A STUDY ON GAOERSHI’S CALLIGRAPHY WORK
xu zuo ;

..............page:126-127

QIANG EMBROIDERY, THE INTANGIBLE CULTURAL HERITAGE,AND ITS MODERN MARKET DEVELOPMENT ANALYSIS
he guang wei ;

..............page:128-129

THE TENDENCY OF VISUALIZATION FOR PRODUCT DESIGN DISPLAY
guo yu cheng ; liu zuo ;

..............page:130-131

CHANGES AND DEVELOPMENT OF LANDSCAPE OIL PAINTINGS OF THE NORTHEAST SINCE THE REFORM AND OPENING UP
wang zhan kun ; wang chun ming ;

..............page:132

OPTIMIZATION ANALYSIS OF WATERSCAPE DESIGN OF POCKET PART
wang zuo zuo ; li chang ju ;

..............page:133

IDEAS OF MASCOTS DESIGN IN LARGE-SCALE MODERN EVENTS
xia jin zhong ; zhang zuo ;

..............page:134-135

LOCALIZATION OF WATER COLOR PAINTINGS
li li ;

..............page:136-137

DEVELOPMENT OF CHINESE REALISTIC OIL PAINTINGS IN THE NEW ERA
wang yu qiong ;

..............page:138-139

INTERPRETATION OF CONTEMPORARYDE CONSTRUCTURALISM
xi yue liang ;

..............page:140-141

THE FIVE-ELEMENT THEORIES IN ROCK PAINTINGS
wang sheng ; chen zuo zuo ;

..............page:142-143

THE INFLUENCE OF FURNITURE IN MING DYNASTY ON NORTHERN EUROPEAN FURNITURE
wang rui ;

..............page:144-145

FEATURES AND POTENTIAL OF GOUACHE PAINTINGS
bu he chao lu ;

..............page:146

DEVELOPMENT OF MODERN ART IN WUHAN AND ITS CONTRIBUTION TO URBAN CULTURE
peng ran ;

..............page:147-149

THOUGHTS ON FAUVISM
liu zuo ;

..............page:150-151

UNDERSTANDING OF ARTS AS A SUBJECT AND STRUCTURE-BUILDING OF THE CHINESE PAINTINGSSTUDIES
zhang qiang ;

..............page:152-154

2013 Art Nova 100

..............page:157

“The Strength of Natural Impulses” N-Dimension Art Exhibition

..............page:158-159

VIEWPOINT
jiang zuo lin ;

..............page:160-161

Imagine The Infinate-Young Artist Program
bao yu ;

..............page:162

FACSIMILES FROM ABROAD
gong zhi yun ; wang zuo ; li lan ;

..............page:163-165

THE WORK OF LIANG JIANPING
liang jian ping ;

..............page:166

THE WORKS OF ZHANG MINGHONG
zhang ming hong ;

..............page:167

THE WORK OF ZHANG WEI
zhang wei ;

..............page:168

THE WORK OF XU XIAOYAN
xu xiao yan ;

..............page:169