Ceramic Studies Journal 2011 Issue 1 jie du fan jia jing

jie du fan jia jing
li shou

..............page:6-7

To promote ceramic culture,to push forward the development of ceramic economy
bai xiao yan

..............page:76-78

Talking on the composition of ceramic freehand birds and flowers’ painting
luo yan bing yu li ping

..............page:79

The guiding role of Yin and yang principles in porcelain painting
deng ji ming

..............page:94-96

The difference between Dou cai and Five colors of blue and white
chen jie li

..............page:98-99

Simply talking on the beauty of artistic conception of Chinese painting
fu xiao wen ye feng

..............page:54

tao ci xing ye jie ji lun
li shou

..............page:48

Trying discussing on the style forming courses of "Water lilies" liked shadow blue porcelain in Jingdezhen Song dynasty
peng song

..............page:50-51

The characteristic of freehand brush in traditional fine brushworks
yang qing

..............page:112-113

The application of meticulous painting techniques on blue and white decoration
lei cheng hua

..............page:55

Simply talking on the meticulous painting of flowers and birds with soft color and new color
shi shao ming wan jin quan li bin

..............page:56

On the western missionaries’ painters and the style changes of porcelain figure painting in Qing dynasty
fu jian ping gao chang qing

..............page:68-69

Jingdezhen ceramic culture which is of long standing and well established
cao xiao yan

..............page:70-72

Simply discussion on the printing process with copperplate and screen in blue and white
li shi min jiang yi

..............page:49

xu jian jian tao ci yi shu
chen min

..............page:45-46

ji gui kang xi wu cai fen cheng kang xi wu cai qian tan
wang chong yun

..............page:20

ci hai fan you yi qing zhou chen qing zhou ci hua zuo pin san lun
cao xin min

..............page:39-41

jiang xi sheng gong yi mei shu da shi qiu han

..............page:117

Tumiitianji (Euphorbia antiquorum)——he world of Zhan Wei and Yu Hong
kong zuo zuo

..............page:110-111

yong yi ke tong xin qu hua tong xin shi jie
wang de an

..............page:31-35

Chinese flowers and birds in the teaching of the art professional ceramic arrangement
yu jin long

..............page:84-85

My view an modern ceramic arts’ appreciation
cheng lei

..............page:62-64

ri yong ci shang xi
huang yi

..............page:36-38

cai ling ling da su da ya mu zi qing
peng yu wang

..............page:11-12

you ling xing you xin xing de huo jiang zhuan ye hu
wang de an

..............page:26-30

On the development process and thought contemporary of ceramic oil-painting figures
fu jian hua gao chang qing

..............page:60-61

The development and breakthrough of traditional auspicious themes in ceramic painting
cai chang jian

..............page:92-93

Talking on how ceramic creation to absorb nutrition from the artistic conception of classical literature
yu ming hua gao chang qing

..............page:57

li jian shen zao cun zhi tao ren
peng yu wang

..............page:8-10

jiang xi sheng gong yi mei shu da shi chen min
hong ye

..............page:21-25

On the impact of palace ladies’ painting on the porcelain ladies’ painting in Ding dynasty
fu jian ping yu xiao xia

..............page:52-53

Feeling the blue charm
wang ping

..............page:97

On the beauty of lines in ceramic painting
zhang tong

..............page:106-107

The inheritance and innovation of ceramic painting
zuo yong lin

..............page:88-89

guo se tian xiang
cao xin min

..............page:15

yi tu lin guo hua tao yi chuang zuo zhan

..............page:17-18

shu zi ming ci li li jia zhen tao ci qi wu shu zi ming ming li shuo
wang chong yun

..............page:19

Elementary talking on the porcelain painting of soft color figures
xu zuo xiong zhi hua

..............page:90-91

Talking on tie links between ceramic arts and public environmental space
jiang tian yu

..............page:66-67

The evolution and characteristics of porcelain ink-printing figures
fu jian hua yu li ping

..............page:82-83

The aesthetic concept of ceramic comprehensive decoration
li shao jing

..............page:80-81

On the artistic characteristics of modern Chinese ceramic arts
jiang chun he

..............page:65

xie jue yan qing yin fa de si kao
li shou

..............page:47

Simply talking on the portrait painting’s creation of in-glare blue and white
li zhen xing gao hui fan

..............page:86-87

jiang xi sheng gong yi mei shu shi xia xu ling tao ci yi shu
chen min

..............page:43-44

qing ci zhui meng stan klausner fu gu tao yi chuang zuo zhan
chen min

..............page:16

The artistic features of ancient porcelain of blue and white
zhan guo sheng

..............page:100-101

On the creative arts of porcelain sculpture
zhang chun rong

..............page:58-59

xin ping tao ci fu liang gu zhen ci chang nan hui hua zhu shan hua you
chen min

..............page:42

bao pu shou jing , tian xia mo neng yu zhi zheng mei fang zhong guo tao ci yi shu da shi peng jing qiang
chen yu qian

..............page:1-6

The ceramic painting art can’t do without exaggeration
shi feng xu ya qin

..............page:73

dang dai yi shu tao ci qu re
peng yu wang

..............page:1

Investigation on the modern features of our contemporary ceramic sculpture
jiang guo xing xu jian jian

..............page:114-116

Elementary talking on kangxi Five Colors and its teehniques
liu sheng tian

..............page:74-75

On the oriental culture’s charm in the landscapes’decoration
yu li ping luo yan bing

..............page:102-103

Talking an the system of five ealor glaze
wan zhen hua wan ru hui

..............page:104-105

jiang he long rang tang shi song ci yuan qu ru ci hua
peng yu wang

..............page:13-14

On the ceramic wall decoration intervened in environmental space
yu jian feng

..............page:108-109