Dance 2013 Issue 9 di jiu jie zhong guo wu dao he hua jiang gu dian wu jin jiang zuo pin

di jiu jie zhong guo wu dao he hua jiang gu dian wu jin jiang zuo pin
ye jin ;

..............page:2+1+3

min zu wu ju ma ke bo luo chuan qi
ye jin ;

..............page:5

xian dai wu ta sha xing
li han zhong ; ma bo ; ye jin ;

..............page:7

In Search for the Unique Body of Ethnicity Overview of Classic Dance Appraisal in the 9th Chinese Dancing“Lotus Award”
mei lin ; ye jin ;

..............page:8-11

A Pearl on Ethnic Soil On the 2nd China·Xining International Dancing Festival & Qinghai "Tibetan Dance Creation"Workshop
zhang ya ning ;

..............page:12-13

Beyond the Stage,In the Dancing World A New Path for Dancer Yao Zhuzhu
mao zuo ; meng jing ; zhang jing ; zhao meng qiu ; jiang dong ; chen ai lian ; you hao yan ;

..............page:14-15

Crossover Unbounded Dance
ben kan ;

..............page:16-20

Free Expression of the Time With Body Language 4 Major Characteristics of 2013 Beijing Dance Festival
wang xiao ru ; shi ren ;

..............page:21-23

On Beijing International Ballet and Choreographer Competition
wang xiao lan ;

..............page:24-25

cong wu ju hong gao liang de xi ju xing suo xiang dao de
han chun qi ;

..............page:26-27

Large Ethnic Dance Drama The Legend of Marco Polo Premiered arco Polo An Ongoing Legend
hu qin ;

..............page:28-29

Motherland the Home for Hui Nationality Dancing Poem of Hui Nationality Beautiful Flowers in Motherland Premiered
fang yan ; zhang mei cai ;

..............page:30

Jdenlity and Discourse of Modern and Contemporary Dancing Characters
li dan na ;

..............page:31-32

Expand Scientific Domain of Dancing.and Promote Art Medicine Overview of“2013 Workshop on Dance Education and Science”
wen rou ; bai jin feng ;

..............page:34-35

METHOOS FOR OANCING IMPROVEMENT-FOCUS ON ONESELF;TAKE IN OIVERSE STRENGTHS
hu wei ;

..............page:36-37

The Joy of Contribution and Aehicvement THOUGHTS ON THE GRADUATION PERFORMANCE OF GIRLS’ CLASS 2008 OF PEOPLE’S LIBERATION ARMY ARTS COLLEGE
liu fang ;

..............page:38-39

pei yu wu dao ren sheng de yao lan zhong guo wu dao jia xie hui nan fang wu dao xue xiao nan wu yuan ni wu dao meng !

..............page:46-47

A Butterfly To Heaven Huang Lei·Ren Zhen La Mu’s Life of Dancing
ying jie ;

..............page:48-50

KNOWING HARAJORHA AGAIN
chen jiang qiong ;

..............page:52-53

Dancing Psychotherapy Above Lime and Space
xie dan ;

..............page:54-55

Example of Jinzhou Dragon Dance in Liaonan Inheriting and Developing Dancing Culture Recognized as “Intangible Cultural Relics”in College Art Education
xu rong ;

..............page:56-57

Regional and cultural DNA of folk dance Dancing Culture Analysis Based on Jiaozhou yangko Dance
wei yan ning ; lin yi ;

..............page:58-59

Micro Class,Micro Appreciation New Changes in Teaching Dancing Appreciation
wu qun ;

..............page:60-61

Jnheritance & Change Study of Inheritor:Wu Guanqiu and Fish-lantern Dance in Sha Tau Kok,Shenzhen
wu dan ;

..............page:62-63

On the beauty of female three Curres in Chinese folk dance
du juan ;

..............page:64-66

CONGRATULATIONS SHANDONG ART AND CULTURE SCHOOL

..............page:67

Zhengzhou Song & Dance Theater

..............page:67

Physical Beauty for the Eye,Aitislic Beauty for the Heait An Aesthetic Comparison between Chinese Classic Dance and Calligraphical Art
xu cheng long ;

..............page:68-69

dong xi nan bei
meng zi ;

..............page:70-71

huan qiu wu xun
lin nan ;

..............page:72-73

New Books The Language of Mise en Scene Comments on On the Forms of Mise en Scene
jiang sheng ; zong hua ;

..............page:74-75