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Palace Museum Journal
0452-7402
2012 Issue 4
ji nian wu zhong chao xian sheng dan chen 110 zhou nian zuo tan hui ji yao jian tan wu zhong chao xian sheng yu gu gong bo wu yuan yuan kan de yuan yuan
xiang kun peng
..............page:153-158
Four Sets of Newly Pieced Together Binzu Group of Oracle Divinations
Li Yanyan
..............page:131-137,162-163
Five Groups of Assemblages Oracle Bone Inscription Fragments in Oracle Bone Inscription Collection of Shanghai Museum(Shanghai Bo Wu Guan Cang Jia Gu Wen Zi)
Mo Bofeng
..............page:120-124,162
Four Sets of Assemblages of Inscription Fragments Compiled in Oracle Bone Collection in Great Britain(Ying Guo Suo Cang Jia Gu Ji)
Wang Ziyang
..............page:108-112,161
A Set of Rare Lizu Group of Tortoise Shell Inscription
Jiang Yubin
..............page:103-107,161
A Discussion of The Restoration Techniques for Emperor Qianlong Appreciating Antiques in Hanging Scroll
Shan Jiajiu
..............page:144-152,163
Five Sets of Newly Reassembled Oracle Bone Inscription Fragments on Farming and Hunting
Li Aihui
..............page:125-130,162
jie jian li shi jing yan ji cheng you liang chuan tong wen bu tui jin gu gong bo wu yuan zai xin shi qi de fa zhan zai ji nian wu zhong chao xian sheng dan chen 110 zhou nian zuo tan hui shang de jiang hua
dan zuo xiang
..............page:6-9
An Analogy Analysis of The Newly-Excavated Pottery Building Decorated with Xianglun(Xianglun Taolou) and The Hall of Buddha(Futu Ci) of China
Luo Shiping
..............page:10-26,159
An Iconographic Analysis of the Preserved Relief Sculptures of Avalokitesvara the Savior during Tang and Song Dynasties in Lezhi and Fuxian Caves
Li Jingjie
..............page:27-39,159
On Protective Restoration of Scrolls of Lotus Sutra(Miao Fa Lian Hua Jing) Written in Gold and Silver,Northern Song Dynasty
Wang Yanjing
..............page:138-143,163
An Iconographic Analysis of The Buddhist Guardians Protecting Khotan in Dunhuang Caves
Chen Suyu
..............page:54-74,160
Three Sets of Newly Pieced Together Tortoise Plastron Inscriptions from The Yin Ruins
He Hui
..............page:113-119,162
On Ideal Composition Mode for The Images of The Western Pure Land Bian Preserved in Mogao Caves in Dunhuang during The Mid-Tang Dynasty
Wang Zhi
..............page:75-92,160-161
A Study of The Images of Xuanzang:Focusing on The Iconographic Elements on Tantric Buddhism
Li Ling
..............page:40-53,159-160
The Stone Line-Engraved Portraits of The Court Ladies in The Tang Dynasty and Foreign Craftsmanship:Taking As An Example of The Portraits of The Court Ladies Engraved on Consort Wu’s Outer Coffin
Ge Chengyong
..............page:93-102,161
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