Art & Design 2006 Issue 4 Pattern Innovation from Several Changes in the Style of 20th Century Traditional Chi-nese Landscape Painting

Pattern Innovation from Several Changes in the Style of 20th Century Traditional Chi-nese Landscape Painting
zhu ping

..............page:33

The Human Course of Western Painting
liu ming

..............page:35

About Visual Perception Feature and Packaging Design Representation
zhou xu

..............page:116-117

The Decoration and Aesthetic Sense of Women in Ancient Egypt
zhao keren

..............page:27-28

Discussion of the Varieties of Female Dress Adornment in the Tang Dynasty
bao xiaolan

..............page:26-27

The Birth and Explanation of Meaning System: Analyzing the Statues of Baoding Grotto at Dazu
wang tianxiang

..............page:24-25

Xian Ning's Environmental Design Works
xian ning

..............page:77

On the Decorativeness of Traditional Chinese Realistic Painting of Flowers and Birds
liu juting

..............page:29-30

Confucianism and Taoism Constructing the Art Spirit of Chinese Paining
ma liangshu

..............page:96-97

Considering the Developing Trend of Design Education
shu xianghan

..............page:91-92

The Importance of Recognizing the Theory of Fashion Works
gu liangyu

..............page:20-21

The Ecological View on the Trend of Neo-Urbanology
wang mingdao

..............page:7-8

On the Calligraphic Manipulation of Traditional Chinese Painting
li jiangying

..............page:30-31

On the Significance of Visual Apperception Balance in Humanized Environmental Design
li yuan

..............page:22-23

Selection of World Journal Design——Category of Culture (III)
du zuo wei

..............page:58-61

The Physicque Increment Theory of Fashion Design
sun tao & wu zhiming

..............page:19-20

Analysis to Product's Semantic Meaning and its Creating Method
wu yanfang

..............page:16-17

Steve Klein’s Glass Works
steve klein

..............page:50-53

Literati Painting Lacking Oxygen and Realistic Embarrassment
ding rongquan

..............page:37

Annotation of Annotation—Annotating the Distinctive Innovative Thought of the Cultural Industry in Shenzhen
huang wei

..............page:9-10

The Modern Variance of Street Culture
chen leilei & wu zhijun

..............page:36

Brief Investigation of the Shan-Shaan Guild in Sheqi
huang xu

..............page:38-39

Characteristics of the Style and Color of the Traditional Female Dress Adornment of Luzhi Village
bi yichi

..............page:42-43

Catharine Newell’s Glass Works
catharine newell

..............page:54-57

Discussion of the Beauty of Landscape Design
xue jianjun

..............page:10-11

Exploring the Traditional Civilian House of She Minority in the Southern Part of Zhejiang Province
ding zhanyong

..............page:47-48

Application of Semeiology in Graphic Advertisement Design
chen wu

..............page:117-118

Designing Visual Information Chart in the Information Age
wang wei

..............page:128-129

Research of the Civilian Buildings in the Form of Water Bank
zhen xinsheng & zhang yongmei

..............page:45-46

Zhang Jie's Environmental Design Works
zhang jie

..............page:74

Himself, his Works and his Home——Kobayashi Jin and his Advertisement Photography
liu xin xin

..............page:64-67

Wang Fangliang's Design Works
wang fangliang

..............page:80

Wang Yongguo's Oil-paintings
wang yongguo

..............page:83

Reflections on Senior Professional Education of Design
zheng zehui

..............page:86-87

Sun Chi's Environmental Design Works
sun chi

..............page:76

The Culture and Art of European Graveyard
bai lu

..............page:34

Imagery Perspective of the Architectural Culture of the Ancient Villages at Xiamei, Mount Wuyi
wei feng; li jiquan & ding rongfeng

..............page:40-41

About the Successful Management of Design Education in Institutes of Science and Engineering
shi gaomin

..............page:88

Approaching Ways and Skills on the Modern Spine Design
li qingwei

..............page:92-93

Design Perspective of Commodity
liu xin

..............page:14-15

The Harmonious Artistic Conception of Design Beauty
yang minglang & qiu ke

..............page:18

Design of Immaterial Society
chen zhiqiang

..............page:12

Artistic Suggestion of the Civilian Wooden Statue in Hunan and Hubei Provinces
guo jianguo

..............page:48-49

Environmental Analysis of the Ancient Town of Hongcun
xi dandan

..............page:44-45

Graveyard Art in Europe
bai lu

..............page:62-63

juan shou yu

..............page:1

Teachers' Works from The College of Fine Arts, Jishou University

..............page:68-73

Qiu Shihong's Graphic Design Works
qiu shihong

..............page:78

The Application of 3D Digital Design in CAD Teaching
liu shuo

..............page:89

On Organizing Basic Courses of Industrial Design
li kewei & liu guanzhong

..............page:85-86

Huang Bin's Display Design Works
huang bin

..............page:81

Ji Shuyi's Environmental Design Works
ji shuyi

..............page:75

Liu Dongming's Graphic Design Works
liu dongming

..............page:79

Where should Ceramic Products for Everyday Use Go?
he ping

..............page:106-107

Preliminary Discussion of Applying 3DS MAX to Perspective Teaching
fu weidong

..............page:90

The Influence of Islamic Dress Adornment Culture to Modern Fashion
wang yingnan

..............page:97-98

From Picture of Inspiration Source to Alteration of Finish Material
ma dali

..............page:94-95

On Creation of Glass Art
guan donghai

..............page:99-100

Peers and Civilians in Landsape—Peter Walker and Martha Schwartz
cui yanan

..............page:102-103

On the Civilian Orientation of Modern Mural in China
su zibing

..............page:32

Thinking about the Localization Design in the Globalizition Condition
zhang xuedong

..............page:112-113

Exploring the Source of Design Originality in Product Application
jiang bing

..............page:115

Logo Design and Memory
wan xuan

..............page:125

Excavating Expressive Language of Welding Art in the Creation of Modern Metal Art
zhu lei

..............page:100-101

Interview Prof. Jin Baosheng
journalist: teng xiaobo prof. jin baosheng

..............page:110-111

Design Thought and Approach Centered on "User Experience"
xie qi

..............page:113-114

The Theory of "Dummy Interior" Technology
li peng; tao yubo & wang fenghu

..............page:123-124

Frontier of Display Merging with Other Subjects
zheng nianjun

..............page:126-127

The Formal Representation of Fiber Art
xu shicheng

..............page:104-105

Industrial Design·Core Technology·Product Development
yao yuan

..............page:13-14

The Humanistic Connotation of “Garden” and “Landscape”
wu weiguang

..............page:11-12

On Design Representation of Architectural Effect
wang zhenggang

..............page:130

Information Space

..............page:131-132

The Multifactor Co-existence and Development of Modern Chinese Lacquer Painting
kou yan & hu jian

..............page:109

Investigating the Lacquer Craft Development in Fuzhou
zhang jian

..............page:107-108

On Visual Representation of Graphic Design in Interior Space
qian tieyu & xu jin

..............page:122-123

Zhao Zhanjia's Watercolor Paintings
zhao zhanjia

..............page:82

Wang Nina's Pottery Art Works
wang nina

..............page:84

Explaining the Symbols of Ancient Chinese Lamps and Lanterns
wang shuwan

..............page:119-120

The Regional Quality of Environmental Design
guo xiaoyang

..............page:120-121