Art & Design 2003 Issue 7 Zhao Chiping’s Chinese Ink Paintings

Zhao Chiping’s Chinese Ink Paintings
zhao chi ping

..............page:84

Tong Yankang’s Graphic Design Works
tong yan kang

..............page:82-83

Basic Scription Design
yuan xianmin

..............page:93

Entering Great Cathedrals in Germany
zhu xiang hong ; jiang zeng bin

..............page:76

Wang Zhigang’s Sculptural Works
wang zhi gang

..............page:78-79

On Contour lines of Square and City
he lianhua

..............page:94

Expression Form and Composition of Emotional Sign in Fashion Design
wang min

..............page:85-86

Hao Jian’s Painting Works
hao jian

..............page:73

Design and Innovation of Decorative Fabrics by Domestic Spinning and Weavi
zhang yi

..............page:91-92

bian zhe xin yu

..............page:1

Professional Uniform and CI Culture of Enterprise
zhang jianfeng

..............page:88-89

Selection of Poster Design on Anti-SARS by Students from International Modern De sign & Art College, Inner Mongolia Normal University

..............page:22-23

The Visual Transmission Characteristics of Book Binding Design
feng minggao

..............page:27-28

Selection of Poster Design on Anti-SARS of Sichuan Academy of Fine Arts
huang ping ; liu yang

..............page:20-21

On the Rational and Non-rational Development of the Architectural Style
li jiangnan

..............page:28-29

Selection of Public Poster Design on“Love Life and Believe Science”in Anti-SARS

..............page:16-19

Value Structure and Planning Design for Brand
zhou yuelin

..............page:11-12

On the Contribution of Mohist School towards Creating the Universe
wang li

..............page:33-34

Cultural Connotation and Demonstrated Characteristics for Mascot Design
xue shenghui

..............page:32

To Mould Love, Devote Love, and Cast Love —— Creative Works on Anti-SARS from the Sculpture Dept. of The Academy of Arts & Design, Tsinghua University

..............page:13-15

On the Interior Design of "Ecologism"in Modern China
wen jiangang/qiu dehua/yu changquan

..............page:9-10

Interpreting the Present Situation and Development of City Sculpture in Our Country
chen shaoming

..............page:6-7

“Change with Demand”in Design Concept——to Minoru Yamasaki
zhai mo

..............page:4-5

Liu Xuewen’s Environmental Design Work Plans
liu xue wen

..............page:58-59

Lin Hua’s Graphic Design Works
lin hua

..............page:56-57

Decoration Language of Folk Furniture during Ming and Qing Dynasties
pang guohua

..............page:47-48

Rationale of The Book of Changes in the Decorative Patterns with 4 Divinities and 12 Symbolic Animals Associated with a 12-year Cycle on Tomb Memorial Tablets in Sui and Tang Dynasties
li xingming

..............page:45-46

Expression of Subject Creativity for Interior Space
li bingxun

..............page:41-42

Shang Hua's Works of Decorative Art——Pottery Wall Plates
shang hua

..............page:80-81

Chen Hui's Water-and-ink Paintings——Impression of Europe
chen hui

..............page:74-75

Economic Globalization and Developing Design of Tourist Textile Product
wu hongfang

..............page:89-90

Features of Teaching in Garment Material Design Course
chen yanlin

..............page:72

Reviewing Zhou Guozhen’s Ceramics Sculpture
jin wenwei

..............page:69-70

The Value and Design of Famous Brand's Trademark
song xing

..............page:68

Aesthetic Perplexity under Standard of Realism
zhao zhenhua

..............page:67

Discussion on Management Strategy in Brand Making of Practice Teaching for Design Art
dai duan/zhang xiaohua

..............page:70-71

Approach Material Texture and Clip Art in 3-D Design
liu xiaojie

..............page:66

Structural Form and Visual Expression of Graphic Decoration
tang xingming

..............page:64

On Environmental Art
qi weimin

..............page:7-8

THE DESIGN INSTITUTE OF ENVIROMENIAL ART OF BEIJING TSINGHUA GONGMEI/ THE ARCHITECTURAL ORNAMENTAL ENGINEERING CO., LTD. OF BEIJING TSINGHUA GONGMEI The Construction Achievements of Interior Design and Architecture Ornament : Series 1

..............page:52-55

Design Work Selection by Teachers from The Art School of Harbin Normal University

..............page:49-51

Influence upon Europe from the Art of Chinese Classical Gardens
liu hua

..............page:40-41

Ideological Source of the Post-modernism Design
jiang mu/jiang xiaopu

..............page:37-38

Fashion Design and Integrative Expression of Materials
yuan lu

..............page:87

qing hua da xue mei shu xue yuan ji chu jiao yan shi ju xing ji chu ke jiao xue yan tao hui
li jiang

..............page:92

The Language and Structure of Graphic Design
hai jun

..............page:25-26

di san jie ( shen zuo ) guo ji pin pai fu zhuang fu shi jiao yi hui zuo guo ji fu zhuang she ji jiao yu lun tan guo ji fu zhuang she ji jiao yu zhan ji jiang ju xing
wu hong

..............page:71

Interpre Badashanren's Painting Art
zhang shuhong

..............page:63

Research on Chinese Miniature Sculpture Art
fu liming

..............page:61-62

Qu Mei's Poster Design
qu mei

..............page:60

Modern Architecture and the Post Modernist Design
hu weifei

..............page:38-39

Domestic Information

..............page:95

Digital Media Design and its Basic Feature
tian shaoxu

..............page:30-31

Du Yiwei’s Graphic Design Works
du zuo wei

..............page:77

On the Formation and Application of Tone
zhang jiyu

..............page:65

Vagueness in the Visual Transmission Design
yu yan

..............page:35-36

Yi Jingrong's Design Works of Digital Art
yi jing rong

..............page:24

Painting of Han Dynasty in Shandong Province and Qi-Lu Culture
xu simin

..............page:43-44