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Theatre Arts
0257-943X
2015 Issue 6
shang xi wu tai feng yun lu ( shi er )(2009-2014)
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page:2
Fengliu Yuan, Linchuan Meng and the “Four Plays of Dreams”
Ye Changhai;
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page:4-13
Simplification of Thought and Feeling: Zang Maoxun’s Adaptation of The Nanke Dream
Hua Wei;
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page:14-24
Four Questions about Tang Xianzu
Zheng Peikai;
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page:25-34
“Huanyi” and the Origin of the Genre of Nanxi
Huang Jing;
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page:35-42
The Inheritance and Development of the Song-Dynasty Culture of Humor in Xiqu of Yuan Dynasty
Pan Chaoqing;Tu Ping;
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page:43-51
Misreading and Adoption: The Reception of German Expressionist Drama into Chinese Modern Drama
Chen Dahong;
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page:52-58
How Theatre Meets Poetry: A Discussion of Huang Zuolin’s “Essencialism of Theatre”
Zhai Yueqin;
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page:59-65
zhou chang jiang zhong jian zi wo de xian dai shi jie
xu ming de ;
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page:65-68
The Narrative Function of Minor Roles
Xiao Qiao;
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page:66-73
Expressing Emotions in Traditional Chinese Theatre
Huang Lina;
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page:74-82
The Dilemma between Art and Box-Office: Disputes of Modern Drama’s Commercialization in the “Isolated Island” during the Japanese Occupation in Shanghai
Shen Houqing;
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page:83-91
A Review of the “Xiqu Series” at Shanghai People’s Grand Stage
Qiu Guoming;
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page:92-103+129
Two Threads of Action in Performance
Liu Ning;
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page:104-110
Some Thoughts about the Training and Learning of Actor’s Lines Reading:A Discussion of the Laughter at Beijing People’s Art Theatre’s Public Interest Performance of Thunderstorm
Chen Gong;
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page:111-118
Theories in Accordance with History, and History Delineated by the Theory: A Review of Book Series of Chinese Modern Drama Theories and Criticism
Zang Baoyun;
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page:119-125
2015 nian xi ju yi shu zong mu lu
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page:126-128